{"title":"Avant-Garde \u0026 Protest","description":null,"products":[{"product_id":"ravi-shankar-autobiography-george-harrison-110963","title":"Raga Mala. The Autobiography of Ravi Shankar.","description":"\u003ch4 class=\"srb-faux-head\"\u003eBeatles association – inscribed to Hilary Gerrard by George Harrison\u003c\/h4\u003eA lovely Beatles association, with Harrison's signed presentation inscription to the limitation leaf, 'to Hilary with love - George Harrison'. The recipient was Hilary Gerrard, a board director of Apple Corps and for four decades, Ringo's manager. Hilary and George had briefly shared a house some time in the 1970s.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eFirst edition, sole printing; one of 2000 numbered copies specially bound and signed by Shankar; 8vo; publisher's gold silk, device to upper board and titles to spine gilt, all edges gilt, decorative endpapers. Housed in the original folding box with matching containers holding CDs and incense. Fine.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"SHANKAR, Ravi.","offers":[{"title":"Default Title","offer_id":48205267108145,"sku":"110963","price":4500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/110963_7928f07e-6c3c-4efb-beaf-10abc2a8d30e.jpg?v=1790010508"},{"product_id":"kenneth-patchen-poemscapes-first-edition-signed-112495","title":"Poem-Scapes.","description":"\u003ch4 class=\"srb-faux-head\"\u003ehand-painted by the author\u003c\/h4\u003eFirst edition, number 30 of 75 copies prepared and painted by the author. Kenneth Patchen was an American poet and novelist who was known for experimenting with different forms of writing and incorporating painting, drawing, and jazz music into his works. He was a central influence on the San Francisco Renaissance and the Beat Generation. Poem-Scapes was published as Jargon 11.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eOctavo (199 x 128 mm), pp.52. Plain endpapers. Original boards hand-painted by Patchen, rear pastedown with hand-painted limitation; some chipping to paint at spine and rear cover. A very good copy.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[ASSOCIATES.] PATCHEN, Kenneth.","offers":[{"title":"Default Title","offer_id":49208276779313,"sku":"112495","price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/112495_29c7b503-6c08-4d1d-854b-c107eda63502.jpg?v=1790010183"},{"product_id":"lucy-lippard-955000-first-edition-1970-115736","title":"955,000.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eCatalogue for the exhibition organised by Lucy Lippard at the Vancouver Art Gallery, January 13 to February 8, 1970, consisting of loose cards with a printed statement, documentation, or conceptual artwork by one of the contributing artists, which include Vito Acconci, Richard Artschwager, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Daniel Buren, Hanne Darboven, Walter de Maria, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Joseph Kosuth, Barry Le Va, Sol LeWitt, Robert Morris, Bruce Nauman, Alan Ruppersberg, Robert Ryman, Ed Ruscha, Fred Sandback, Richard Serra, Robert Smithson, Jeff Wall, Lawrence Weiner and others.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e955,000\u003c\/em\u003e is the second of four exhibitions, following \u003cem\u003e557,087\u003c\/em\u003e organised at the Seattle Art Museum (1969) and followed by \u003cem\u003e7,500\u003c\/em\u003e at the California Institute of Art, Valencia and \u003cem\u003e2,972,453\u003c\/em\u003e at the Centro de Arte y Comunicación, Buenos Aires. Each exhibition takes its name from the population of the city where it was held.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eExhibition catalogue; 138 printed cards, including title and blank rear cards (100 x 152 mm, 4 x 6 in); light wear to edges of several cards, minor toning, near-fine in the original worn manilla envelope.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"LIPPARD, Lucy.","offers":[{"title":"Default Title","offer_id":55060850540919,"sku":"115736","price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/115736_83f9164e-d7be-4341-95dc-4e2b7f30df11.jpg?v=1790010270"},{"product_id":"barbara-kruger-i-shop-therefore-i-am-1990-118283","title":"I Shop Therefore I Am.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThis Artists' multiple was produced as an ephemeral item for use during Barbara Kruger's 1990 exhibition at Kölnischer Kunstverein.\u003cbr\u003e\u003cbr\u003e\u003ci\u003ePhotolithograph on a brown paper shopping bag (439 x 273 x 107 mm, 17¼ x 10¾ x 4¼ in), framed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"KRUGER, Barbara.","offers":[{"title":"Default Title","offer_id":55817093513591,"sku":"118283","price":900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/118283_01_76c5bc1f-69b4-4391-9e7d-a1efc1c53813.jpg?v=1790009704"},{"product_id":"113417","title":"James Joyce 1882–1941. Wednesday, 14th June, to Wednesday, 12th July, 1950. Institute of Contemporary Arts 17-18 Dover Street Piccadilly W.1.","description":"\u003ch4 class=\"srb-faux-head\"\u003einscribed by Richard Hamilton\u003c\/h4\u003eInscribed to Hilary Gerrard, Ringo Starr's manager for over thirty years and a director of the Beatles company Apple Corps.: 'For Hilary \/ Richard Hamilton', and with a signed example of the private view invitation.\u003cbr\u003e\u003cbr\u003eThe Institute of Contemporary Arts (ICA) was founded by Roland Penrose, Peter Watson, Herbert Read, Peter Gregory, Geoffrey Griason, and E. L. T. Messens in 1946 as a forum for artists, writers, and scientists to explore ideas outside the confines of the Royal Academy. In 1950, the ICA moved into its first permanent premises, in Dover Street, London. The first significant exhibition at Dover Street was 'James Joyce: His Life and Work', a collection of Joyce's literary ephemera with a supporting program of events, including lectures and a recital of Joyce's poems set to music. T. S. Eliot opened the exhibition, and Richard Hamilton was responsible for its entire display and design, including this catalogue, which features a list of all exhibited items, photographs of Joyce, an introduction by T. S. Eliot, and contributions by Bernard Shaw, Edmund Wilson, Frank Budgen, Elizabeth Bowen, Cyril Connolly, Augustus John, and André Gide.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eFolding exhibition catalogue inscribed by Richard Hamilton in pencil (101 cm x 76 cm, 39¾ x 30 in), machine-folded three times, light toning, occasional wear to folds. [Framed with:] the original private view invitation, also signed by Hamilton on pencil.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[HAMILTON, Richard].","offers":[{"title":"Default Title","offer_id":57095575372151,"sku":"113417","price":8750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/113417_01_ee62f50b-fdf5-4062-b417-ed9025f88e3e.jpg?v=1790009502"},{"product_id":"george-jackson-blood-in-my-eye-first-edition-1972-118182","title":"Blood in My Eye.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eFirst edition of \u003cem\u003eBlood in My Eye\u003c\/em\u003e, by George L. Jackson, completed days before he was killed in prison for allegedly trying to escape.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eFirst edition; 8vo; publisher's three quarter black cloth over red paper boards, in the original printed dust-jacket, a near-fine copy; xix, 197pp.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[CIVIL UNREST, PEACE \u0026 REVOLUTION.] [CIVIL RIGHTS \u0026 BLACK IDENTITY.] JACKSON, George L.","offers":[{"title":"Default Title","offer_id":57478936101239,"sku":"118182","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/118182_01.jpg?v=1790010783"},{"product_id":"kurt-schwitters-hutchinson-camp-almanac-1940-111349","title":"The Camp no. 13\/14 Almanac 1940-41.","description":"\u003ch4 class=\"srb-faux-head\"\u003einternment camp almanac inscribed by Kurt Schwitters\u003c\/h4\u003eThe Camp Almanac 1940-41 is a special end-of-year double issue of The Camp newspaper, produced by detainees of Hutchinson Internment Camp on the Isle of Man, intended to showcase the work of émigré artists and writers detained there whilst also reflecting on the first six months of life at the camp. It includes contributions by several prominent artists, including Kurt Schwitters, who contributed a portrait of The Camp editor Michael Corvin (pseud. Leo Freund). This copy belonged to Siegfried Oppenheimer, a German art dealer interned at Hutchinson; many of the contributions are inscribed to him and are accompanied by several related items, including original examples of artwork produced by internees at the Hutchinson Camp on the Isle of Man and correspondence.\u003cbr\u003e\u003cbr\u003eInitially, art materials were scarce in the camp, and all the artists had to improvise to continue to work while interned. Lavatory paper, newspapers, wallpaper, napkins, and tablecloths were all used to write, draw, and print on. Linocut prints were made using strips of linoleum removed from kitchen and bathroom floors, which were cut into using kitchen utensils, and printed using a crude ink made using crushed graphite from pencils or ground brick dust mixed with margarine or the olive oil from tinned sardines. The inked blocks were passed through a laundry mangle, which applied enough pressure to make a satisfactory print onto whatever paper could be found.\u003cbr\u003e\u003cbr\u003eSiegfried Oppenheimer, an art dealer associated with the well-known Margraf firm in Berlin, took it upon himself to represent the Hutchinson visual artists and approached the camp commander to accommodate their needs. Oppenheimer was able to secure a promise that the camp commander would supply materials and studio space for 'his' artists, and in exchange, they would stage an exhibition of their work. Two art exhibitions were held at Hutchinson, the first in September, followed by a second in November 1940. After his release, Oppenheimer seems to have remained in Britain and continued to operate as an art dealer, representing the work of his fellow internee Erich Khan and lending support to the Ben Uri Art Society and the Friends of the Arts Museums of Israel.\u003cbr\u003e\u003cbr\u003eAll copies differ in terms of their content due to the ad hoc nature in which they were assembled and are down to the personalised choices by the person making each copy. This copy has 22 contributions on 25 sides.\u003cbr\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eThe following contributors have signed or inscribed their pages:\u003cbr\u003e\u003cbr\u003eMichael Corvin, Fritz Kramer, Fred Uhlman, Kurt Schwitters, Erich Kalman, Paul Hamann, O. Wenzel, Adolf 'Dol' Mirecki, Fritz Solomanski, Ernst Müller-Blensdorf, K. Simmel[?], Erich Kahn, Bruno Ahrends, and Hellmuth Weissenborn.\u003cbr\u003e\u003cbr\u003eOppenheimer's own contribution, 'Mission of Art', is signed by the following: Peter Fleischmann, Fritz Solomanski, Ernst Schwitters-Guldahl, Fritz Kraemer, Klaus Hinrichsen, Dol. A. Mirecki, [?], Fred Uhlman, Bruno Ahrends, [?], Ernst Müller-Blensdorf, Erich Kahn, Richard Friedenthal [?], Heinrich Fraenkel, and Curt Sluzewski.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e20 mimeographed foolscap leaves (343 x 216 mm), with an additional two leaves present in duplicate. 16 pages partially coloured in pastels and watercolour by the artists. 15 leaves are signed or inscribed to Siegfried Oppenheimer, including Kurt Schwitters' portrait of editor Michael Corvin, additionally Oppenheimer's own contribution 'Mission of Art' is signed by 15 of his fellow internees. Light wear and occasional foxing to leaves. Loose in the worn original manila wrappers (400 x 240 mm) with 'HC' monogram in pastel to front and offsetting from a taped letter to inside of the wrapper.\u003cbr\u003e\u003cbr\u003e[With the following additional items:] \u003cbr\u003e\u003cbr\u003eMÜLLER-BLENSDORF, Ernst. An original drawing (230 x 165 mm) mounted on paper (338 x 212 mm); wear and stain to mount. Inscribed by Blensdorf to Siegfried Oppenheimer in pencil on the mount and signed Ernst M. Blensdorf \/ Hutchinson \/ 24.12.1940.'\u003cbr\u003e\u003cbr\u003eMÜLLER-BLENSDORF, Ernst. Another original drawing (177 x 207 mm) mounted on paper (338 x 212 mm); wear and stain to mount. Inscribed by Blensdorf to Siegfried Oppenheimer in pencil on the mount and signed Ernst M. Blensdorf \/ Hutchinson Camp \/ 29.12.1940.'\u003cbr\u003e\u003cbr\u003eWEISSENBORN, H. Linocut print on paper (image 91mm x 182 mm; paper 345 x 224 mm); edges creased signed: 'Douglas 1940 \/ H. Weissenborn'.\u003cbr\u003e\u003cbr\u003eDOL [A. Mierecki]. Caricature print of Hitler as a snowman (115 x 87 mm) [1940].\u003cbr\u003e\u003cbr\u003eWEISSENBORN, Helmuth. 'Le Petit Souper Menu' for 26 December 1940. (265mm x 206 mm), hand-coloured and addressed to S. Oppenheimer, Helmuth Weissenborn's London address in black ink on the verso.\u003cbr\u003e\u003cbr\u003eOne leaf (338 x 212 mm) from the previous issue of The Camp, with what appears to be a\u003cbr\u003eletter drafted in pencil on the verso.\u003cbr\u003e\u003cbr\u003eRAWICZ, Maryan. Autograph letter signed 'Maryan Rawicz' to Siegfried Oppenheimer's wife, written shortly after Rawicz was released. London. 25 October, 1940. 8vo (232 x 172 mm), [2]pp on 1 sheet, written in black ink on recto and verso; torn along horizontal and vertical folds, strengthened with yellowing tape.\u003cbr\u003e\u003cbr\u003eMÜLLER-BLENSDORF, Ernst. Autograph letter signed 'Ernst M-Blensdorf' to Siegfried Oppenheimer, in which he discusses life in England after his release from Hutchinson Camp. Strathaven, Lanarkshire. 9 August, 1941. 8vo (228 x 177 mm), [4]pp on two sheets, written in black ink on recto and verso; creased where folded.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[SCHWITTERS, Kurt et al.] CORVIN, Michael (pseud. Leo Freund) (editor).","offers":[{"title":"Default Title","offer_id":57478936297847,"sku":"111349","price":25000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/111349.jpg?v=1790010796"}],"url":"https:\/\/shapero.com\/collections\/avant-garde-protest.oembed","provider":"Shapero Rare Books","version":"1.0","type":"link"}