{"title":"Artist's Eye","description":"\u003cp\u003eShowcasing a collection featuring the revolutionary modern abstraction artist \u003ca href=\"https:\/\/shapero.com\/products\/helen-frankenthaler-mary-mary-1990-screenprint-lithograph-108987\"\u003eHelen Fran\u003c\/a\u003e\u003ca href=\"https:\/\/shapero.com\/products\/helen-frankenthaler-mary-mary-1990-screenprint-lithograph-108987\" target=\"_blank\" rel=\"noopener\"\u003ek\u003c\/a\u003e\u003ca href=\"https:\/\/shapero.com\/products\/helen-frankenthaler-mary-mary-1990-screenprint-lithograph-108987\"\u003eenthaler\u003c\/a\u003e, maternal sketches from \u003ca href=\"https:\/\/shapero.com\/products\/henry-moore-plate-xxx-mother-child-1983-etching-92935\" target=\"_blank\" rel=\"noopener\"\u003eHenry Moore's\u003c\/a\u003e shelter series, and \u003ca href=\"https:\/\/shapero.com\/products\/wolff-dr-paul-e-o-hoppe-archive-mother-child-and-sun-umbrella-1930-60603\" target=\"_blank\" rel=\"noopener\"\u003eEmil Otto Hoppé’s\u003c\/a\u003e nostalgic photography. These artworks capture the enduring motherly love that has always stayed by our side.\u003c\/p\u003e","products":[{"product_id":"hoppe-emil-otto-archive-beach-scene-with-mother-and-child-1930-60568","title":"Beach Scene With Mother and Child","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eGelatin silver print. 14.4cm x 20.7cm. 'James Carr' stamp on reverse.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"HOPPE, Emil Otto (archive).","offers":[{"title":"Default Title","offer_id":45546718691633,"sku":"60568","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/60568.jpg?v=1781038520"},{"product_id":"hoppe-emil-otto-sandcastles-1930-60583","title":"Sandcastles.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eGelatin silver print. Dimensions: 22.7 x 17cm.  Photographer's ink signature on reverse.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"HOPPE, Emil Otto.","offers":[{"title":"Default Title","offer_id":45546719445297,"sku":"60583","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/60583_35f3c3ed-0784-4360-b4af-98c10d1aba1d.jpg?v=1781038740"},{"product_id":"hoppe-emil-otto-picking-flowers-1940-60692","title":"Picking Flowers","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eGelatin silver print. 21.2cm x 16.5cm. Photographer's signature on reverse. \u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"HOPPE, Emil Otto.","offers":[{"title":"Default Title","offer_id":45546726097201,"sku":"60692","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/60692.jpg?v=1781110581"},{"product_id":"barbara-hepworth-opposing-forms-screenprint-in-colours-98796","title":"Two Ancestral Figures","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eA lesser known side of Barbara Hepworth's artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her 'Opposing Form's' series, that the drawings were 'sculptures born in the disguise of two dimensions'.\u003cbr\u003e\u003cbr\u003eScreenprint in colours, 1969-70, on wove paper, signed in pencil and numbered from the edition of 60 (total edition includes ten artist's proofs) published by Marlborough AG Schellenberg, FL, 77.7 x 58 cm. (30.6 x 22.9 in.)\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"HEPWORTH, Barbara","offers":[{"title":"Default Title","offer_id":45547131207985,"sku":"98796","price":7000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/98796.jpg?v=1780911258"},{"product_id":"barbara-hepworth-rangatira-drawing-sculpture-colour-lithographs-99517","title":"Rangatira II","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eA lesser known side of Barbara Hepworth's artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her 'Opposing Form's' series, that the drawings were 'sculptures born in the disguise of two dimensions'.\u003cbr\u003e\u003cbr\u003eThis screenprint in colours from 1969-70, is signed in pencil and numbered from the edition of 60. The print also comes framed.\u003cbr\u003e\u003cbr\u003eScreenprint in colours, 1969-70, each signed in pencil and numbered from the edition of 60 (total edition includes ten artist's proofs) published by Marlborough AG Schellenberg, FL, 77.7 x 58 cm. (30.6 x 22.9 in.)\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"HEPWORTH, Barbara","offers":[{"title":"Default Title","offer_id":45547137597745,"sku":"99517","price":6000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/99517.jpg?v=1780911263"},{"product_id":"helen-frankenthaler-mary-mary-1990-screenprint-lithograph-108987","title":"Mary, Mary","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003ePerhaps one of the most influential female Abstract Expressionists, Helen Frankenthaler made the colour staining process one of her signature techniques over the course of her career. Whereas other Abstract Expressionists such as Jackson Pollock or Mark Rothko would use a primed canvas and drip paint onto this, Frankenthaler would instead lather the un-primed canvas with paint and allow it to soak in before proceeding to create the piece. This became known as the Colour Fielding or 'Soak and Stain' technique and inspired a future of generation of artists to experiment with pre-treatment of canvases.\u003cbr\u003e'Mary, Mary', a combination of screenprint and offset lithograph, is an excellent example of the colour fielding process and the results it can have. Her stained canvas and typical fluid-like composition, highlights her bohemian role in the Abstract Expressionist movement. She developed signature techniques to break the mould of how the canvas can be approached; instead of painting onto the canvas, the canvas becomes the painting.\u003cbr\u003e\u003cbr\u003eScreenprint and offset lithograph in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 72 (there were also 9 Artist's Proofs), published by Lincoln Centre, New York, 106.7 x 81.3 cm, (42 x 32 in.)\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"FRANKENTHALER, Helen","offers":[{"title":"Default Title","offer_id":45855846531377,"sku":"108987","price":25000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/108987.jpg?v=1780914973"},{"product_id":"helen-frankenthaler-flotilla-screeprint-numbered-108703","title":"Flotilla","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e'Flotilla' takes its name from the nautical term for a military formation of boats or ships, though Frankenthaler's scene appears to feature only a singular ship on its screenprinted horizon. The present work includes all the common features of a traditional maritime scene: a sea fog, the dusky lighting of a setting sun and a silhouetted ship. The ship sits poised on the horizon line, lit by the sky in its golden hour, whilst a blue fog rolls in from the left. However, Frankenthaler ensures that 'Flotilla' reinterprets the traditional Turner-esque maritime scene, reimagining it through the lens of an Abstract Expressionist.\u003cbr\u003e\u003cbr\u003eFrankenthaler was an avid printmaker, often focusing on the woodcutting process, but she also branched into lithography and sometimes screenprinting, as was her chosen method for this work. She enjoyed pushing the boundaries of printmaking through her Colour Field or 'Soak and Stain' method, and 'Flotilla' is a prime example of this. Her abstract subject, diverse colour palette and trademark technique are all realised in this later work and demonstrate both her skill as an artist and a printmaker.\u003cbr\u003e\u003cbr\u003eScreenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 in.)\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"FRANKENTHALER, Helen","offers":[{"title":"Default Title","offer_id":45856167035185,"sku":"108703","price":17500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/108703_0bb37ccf-cd1b-4dc0-bb18-4eaa0af6b0aa.jpg?v=1781038489"},{"product_id":"barbara-hepworth-squares-and-circles-lithograph-99609","title":"Squares and Circles","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eHepworth frequently worked in the two dimensions of drawing in association with her sculpture. She made her first series of colour lithographs, using themes related to these sculpture drawings, for a series entitled 'Twelve Lithographs', just after her Retrospective at the Tate Gallery in 1968.\u003cbr\u003e\u003cbr\u003eLithograph printed in colours, 1969, signed in pencil and numbered from the edition of 60, on handmade Barcham Green paper, printed and published by the Curwen Studio, with their blind stamp, 81.6 x 58.7 cm. (32¼ x 23 in.)\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"HEPWORTH, Barbara","offers":[{"title":"Default Title","offer_id":46435807199537,"sku":"99609","price":6500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/99609.jpg?v=1780911265"},{"product_id":"helen-frankenthaler-soho-dreams-1987-etching-aquatint-signed-111188","title":"Soho Dreams","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eHelen Frankenthaler was born and raised on Park Avenue in New York City. A true New Yorker, she never strayed far from her beloved Manhattan. Upon returning to the city in 1949, following her studies, Frankenthaler took a studio space downtown not far from the Soho neighbourhood. Titled 'Soho Dreams', this piece is an autobiographical nod to the artist's years spent in the city that never sleeps. With its intense violet, cloud-like shape and its soft yet bold coloured lines, Frankenthaler skilfully executes her 'soak-stain' method to create a harmony between colour and form.\u003cbr\u003e\u003cbr\u003eEtching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist's proofs), published by 2RC Edizioni d'Arte, Rome, with their blindstamp, 64.8 x 78.1 cm. (25½ x 30¾ in.)\u003cbr\u003e\u003cbr\u003e\u003ci\u003eHarrison 124\u003c\/i\u003e","brand":"FRANKENTHALER, Helen","offers":[{"title":"Default Title","offer_id":48546130264369,"sku":"111188","price":10000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/111188_3a5e0253-1b65-4586-ab9a-70f8cb1e10b6.jpg?v=1780914976"},{"product_id":"henry-moore-plate-ix-mother-and-child-1983-92913","title":"Plate IX","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eEtching, 1983,  signed in pencil, inscribed with the plate number, numbered 4\/65 (there were also 15 hors de commerce proofs) on Arches wove paper, with the printer's blindstamp, James Collyer and John Crossley, London. published by Raymond Spencer Company Ltd for the Henry Moore foundation, Much Hadham, Plate: 21.6 x 20.6cm Sheet: 52.1 x 44\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"Moore, Henry","offers":[{"title":"Default Title","offer_id":56798565171575,"sku":"92913","price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/92913.jpg?v=1772051240"},{"product_id":"henry-moore-plate-x-mother-and-child-1983-92914","title":"Plate X","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eEtching and aquatint, 1983,  signed in pencil, inscribed with the plate number, numbered 4\/65 (there were also 15 hors de commerce proofs) on Arches wove paper, with the printer's blindstamp, James Collyer and John Crossley, London. published by Raymond Specer Company Ltd for the Henry Moore foundation, Much Hadham, Plate: 23.2 x 38.5cm Sheet: 52.1 x 62\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"Moore, Henry","offers":[{"title":"Default Title","offer_id":56798565597559,"sku":"92914","price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/92914.jpg?v=1772051249"},{"product_id":"henry-moore-plate-xi-mother-and-child-1983-92915","title":"Plate XI","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eEtching and aquatint and roulette printed in colours, 1983,  signed in pencil, inscribed with the plate number, numbered 4\/65 (there were also 15 hors de commerce proofs) on Arches wove paper, with the printer's blindstamp, James Collyer and John Crossley, London. published by Raymond Specer Company Ltd for the Henry Moore foundation, Much Hadham, Plate: 34.6 x 26.4cm Sheet: 62 x 52.1\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"Moore, Henry","offers":[{"title":"Default Title","offer_id":56798566220151,"sku":"92915","price":2500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/92915.jpg?v=1772051257"},{"product_id":"moore-henry-plate-xviii-92923","title":"Plate XVIII","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eEtching and aquatint and roulette printed in colours, 1983,  signed in pencil, inscribed with the plate number, numbered 4\/65 (there were also 15 hors de commerce proofs) on Arches wove paper, with the printer's blindstamp, James Collyer and John Crossley, London. published by Raymond Specer Company Ltd for the Henry Moore foundation, Much Hadham, Plate: 22.2 x 16.5cm Sheet: 52.1 x 44\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"Moore, Henry","offers":[{"title":"Default Title","offer_id":56798573396343,"sku":"92923","price":1750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/92923.jpg?v=1772051275"},{"product_id":"henry-moore-plate-xx-mother-and-child-1983-92925","title":"Plate XX","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eEtching and aquatint printed in colours, 1983,  signed in pencil, inscribed with the plate number, numbered 4\/65 (there were also 15 hors de commerce proofs) on Arches wove paper, with the printer's blindstamp, James Collyer and John Crossley, London. published by Raymond Specer Company Ltd for the Henry Moore foundation, Much Hadham, Plate: 24.1 x 18.1cm Sheet: 52.1 x 44\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"Moore, Henry","offers":[{"title":"Default Title","offer_id":56798589682039,"sku":"92925","price":1750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/92925.jpg?v=1772051283"},{"product_id":"henry-moore-plate-xxi-mother-and-child-1983-92926","title":"Plate XXI","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eEtching and aquatint and roulette printed in colours, 1983,  signed in pencil, inscribed with the plate number, numbered 4\/65 (there were also 15 hors de commerce proofs) on Arches wove paper, with the printer's blindstamp, James Collyer and John Crossley, London. published by Raymond Specer Company Ltd for the Henry Moore foundation, Much Hadham, Plate: 34.6 x 24.8cm Sheet: 62 x 52.1 WE HAVE TWO FURTHER PLATES FROM THIS SERIES.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"Moore, Henry","offers":[{"title":"Default Title","offer_id":56798590534007,"sku":"92926","price":3500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/92926.jpg?v=1772051292"},{"product_id":"henry-moore-plate-xxiii-mother-and-child-1983-92928","title":"Plate XXIII","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eEtching and aquatint and roulette printed in colours, 1983,  signed in pencil, inscribed with the plate number, numbered 4\/65 (there were also 15 hors de commerce proofs) on Arches wove paper, with the printer's blindstamp, James Collyer and John Crossley, London. published by Raymond Specer Company Ltd for the Henry Moore foundation, Much Hadham, Plate: 26 x 14.3cm Sheet: 52.1 x 44\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"Moore, Henry","offers":[{"title":"Default Title","offer_id":56798591451511,"sku":"92928","price":2500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/92928.jpg?v=1772051301"},{"product_id":"henry-moore-plate-xxiv-mother-and-child-1983-92929","title":"Plate XXIV","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eEtching and aquatint and drypoint, 1983,  signed in pencil, inscribed with the plate number, numbered 4\/65 (there were also 15 hors de commerce proofs) on Arches wove paper, with the printer's blindstamp, James Collyer and John Crossley, London. published by Raymond Specer Company Ltd for the Henry Moore foundation, Much Hadham, Plate: 21 x 29.5cm Sheet: 44 x 52.1\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"Moore, Henry","offers":[{"title":"Default Title","offer_id":56798592270711,"sku":"92929","price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/92929.jpg?v=1772051309"},{"product_id":"henry-moore-plate-xxvi-mother-child-1983-92931","title":"Plate XXVI","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eEtching and aquatint and roulette printed in colours, 1983,  signed in pencil, inscribed with the plate number, numbered 4\/65 (there were also 15 hors de commerce proofs) on Arches wove paper, with the printer's blindstamp, James Collyer and John Crossley, London. published by Raymond Specer Company Ltd for the Henry Moore foundation, Much Hadham, Plate: 22.9 x 16.2cm Sheet: 52.1 x 44\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"Moore, Henry","offers":[{"title":"Default Title","offer_id":56798593220983,"sku":"92931","price":1750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/92931.jpg?v=1772051317"},{"product_id":"henry-moore-plate-xxx-mother-child-1983-etching-92935","title":"Plate XXX","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003eEtching, 1983,  signed in pencil, inscribed with the plate number, numbered 4\/65 (there were also 15 hors de commerce proofs) on Arches wove paper, with the printer's blindstamp, James Collyer and John Crossley, London. published by Raymond Specer Company Ltd for the Henry Moore foundation, Much Hadham, Plate: 24.8 x 16.2cm Sheet: 52.1 x 44\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e","brand":"Moore, Henry","offers":[{"title":"Default Title","offer_id":56798593679735,"sku":"92935","price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/92935.jpg?v=1772051325"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/collections\/The_Artist_s_Eye_f521c0bd-007e-4fd0-a00e-d1468a55b68a.png?v=1772814139","url":"https:\/\/shapero.com\/en-us\/collections\/artists-eye.oembed","provider":"Shapero Rare Books","version":"1.0","type":"link"}