{"title":"Late 20th Century","description":null,"products":[{"product_id":"jo-spence-putting-myself-inscribed-first-edition-1986-112685","title":"Putting Myself in the Picture.","description":"\u003ch4 class=\"srb-faux-head\"\u003epresentation copy\u003c\/h4\u003epresentation copy inscribed to artist and filmmaker Zoe Beloff:\u003cbr\u003e\u003cbr\u003e'Zoe – it was so nice to \/ meet you again (via your \/ mother! [Halla Beloff]– I'm glad \/ your work is going well. \/ Hope you enjoy this little \/ screed from London – let's \/ keep in touch. \/ Love \/ Jo \/ 1987.'\u003cbr\u003e\u003cbr\u003eLaid in is a typed note signed H (presumably from her mother Halla, a psychologist who wrote about photography), informing Zoe that the British Film Institute (BFI) has started distributing short films and suggesting that Jo Spence may be able to help and that they may be interested in Zoe's films, which include Nightmare Angel (1986) an apparently unauthorised adaptation of J. G. Ballard's Crash (1973) which precedes David Cronenberg's film by ten years.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eFirst edition, inscribed in black pen on first page; (229 x 168 mm, 9 x 6½ in); illustrated with black-and-white photographs; illustrated adhesive-bound wrappers, toned and lightly worn, typed note on yellow paper laid in, a very good copy; 224pp.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"SPENCE, Jo.","offers":[{"title":"Default Title","offer_id":55045835850103,"sku":"112685","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/112685_05f12621-a34f-458b-a48b-2c0f90a399bc.jpg?v=1790189525"},{"product_id":"barbara-kruger-i-shop-therefore-i-am-1990-118283","title":"I Shop Therefore I Am.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThis Artists' multiple was produced as an ephemeral item for use during Barbara Kruger's 1990 exhibition at Kölnischer Kunstverein.\u003cbr\u003e\u003cbr\u003e\u003ci\u003ePhotolithograph on a brown paper shopping bag (439 x 273 x 107 mm, 17¼ x 10¾ x 4¼ in), framed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"KRUGER, Barbara.","offers":[{"title":"Default Title","offer_id":55817093513591,"sku":"118283","price":900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/118283_01_777ccc0b-62d0-4dcf-b04d-8d4be87d2084.jpg?v=1790184679"},{"product_id":"113068","title":"Splitting.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eSplitting is the second of Gordon Matta-Clark's three artists' books. It documents one of his most famous works: the vertical bisection of an abandoned house in Englewood, New Jersey, owned by his dealers Holly and Horace Solomon and scheduled for demolition. The book consists of short descriptive texts, photographs, and photo collages which show the transformation of the building. Using a hand-held reciprocating saw Matta-Clark cuts two parallel lines one inch apart through all structural surfaces, then bevels down the cinder blocks at the base of the building and gently tips half of the structure back on its foundation. The final image is a three-panel folding plate depicting a composite cross-section of the house. The finished work stood for three months before the scheduled demolition.\u003cbr\u003e\u003cbr\u003e'Although it may appear modest and somewhat offhand, Splitting plays an important role in Matta-Clark's attempts to shape the complex activities of which it is part. As the scholar Anne M. Wagner has observed, the work's title can be understood to refer not just to the physical act of cutting the house in half but also to the strategic accumulation and dispersal of the project as a whole, its \"splitting\" into its various parts: action, photographs, a suite of collages, an artist's book. \"This collection of artifacts,\" writes Wagner,\"' should not be seen as merely indexing the artist's actions. On the contrary, each registers, defines, understands, revises, argues, and amplifies an emergent and fluctuating set of claims. What this means is that Splitting immediately split into a work that its maker recognized as something to be mediated in order to be explained and known... Each medium tells its separate tale\"'(Artists Who Make Books, 182).\u003cbr\u003e\u003cbr\u003e\u003ci\u003eArtists' book, oblong 4to (178 x 286 mm); black \u0026amp; white photographs and photocollages printed in offset, photographic plate printed in offset (398 x 267 mm) machine-folded twice and mounted to inside rear cover as issued, pencil note to first page; white wrappers printed in black, saddle-stapled and pasted into covers at spine, very minor toning at spine, a close to fine copy; [32]pp.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eLailach, Printed Matter: Die Sammlung Marzona in der Kunstbibliothek \/ The Marzona Collection at the Kunstbibliothek (2005), 140; Moeglin-Delcroix, Esthétique du livre d'artiste 1960\/1980 (2012), 288-9; Roth\/Aarons, Artists Who Make Books (2017), 182-183, (92).","brand":"MATTA-CLARK, Gordon.","offers":[{"title":"Default Title","offer_id":57001143894391,"sku":"113068","price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/113068_01_68f0693d-b205-46e5-ab15-9f7feac1bdb4.jpg?v=1790182700"},{"product_id":"119215","title":"The Western Lands.","description":"\u003ch4 class=\"srb-faux-head\"\u003einscribed to Jean-Michel Basquiat\u003c\/h4\u003eAn exceptional presentation copy inscribed to Jean-Michel Basquiat: 'for Jean-Michel \/ all the best \/ for all the new years \/ William S. Burroughs \/ 12\/19\/87'.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eFirst edition, presentation copy inscribed in crayon on the half-title; 8vo (228 x 150 mm, 9 x 6 in); stain to the fore-edge that appears to be a former owner's blood; black paper-covered boards, green cloth spine, titles to spine in bronze and black, light pulling to head, minor wear to boards and tapping to corners, illustrated dust-jacket, small chip to upper flap-fold, light softening to head of spine, light wear to extremities, crease to rear panel, soiling and light ink marks to verso, a very good copy; xii, 260pp\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[BASQUIAT, Jean-Michel.] BURROUGHS, William S.","offers":[{"title":"Default Title","offer_id":57036907872631,"sku":"119215","price":18750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/119215_601a62d7-9377-48e0-b964-d36c27bc08ed.jpg?v=1790183078"},{"product_id":"119373","title":"Five texts.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eFive texts by pioneering conceptual artist Vito Acconci (1940-2017), who began his career publishing poetry in mimeographed publications in the 1960s.\u003cbr\u003e\u003cbr\u003eThese were sent to Arthur Danto, art critic and professor in the Department of Philosophy at Columbia University, New York in 1988.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e[Television, Furniture, \u0026amp; Sculpture: The Room With the American View, 1984] 9 corner-stapled leaves of typescript photocopied on one side only, numbered and with corrections in black ink; [A Possible Model For Fairy Tales, 1986] 1 leaf of typescript photocopied on one side only, corrections in black ink; [Playing With the Word 'Doll', 1985] 7 corner-stapled leaves of typescript photocopied on one side only, numbered in black ink; [Notes on Language, 1986] 2 corner-stapled leaves of typescript photocopied on one side only, with corrections in black ink; [Notes on Making Shelter, April 1985 (revised 1988)] 3 corner-stapled leaves of typescript photocopied on one side only, together in a worn manilla envelope postmarked and addressed to Arthur Danto in Acconci's hand.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"ACCONCI, Vito.","offers":[{"title":"Default Title","offer_id":57078803333495,"sku":"119373","price":625.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/119373_52270327-0b89-475d-8bcc-1007d990d86f.jpg?v=1790183100"}],"url":"https:\/\/shapero.com\/en-us\/collections\/avant-garde-protest-late-20th-century.oembed","provider":"Shapero Rare Books","version":"1.0","type":"link"}