{"title":"Fine Art","description":null,"products":[{"product_id":"william-russell-flint-breakfast-in-perigord-signed-limited-edition-95536","title":"Breakfast in Périgord,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eA bright collection of essays with wonderful illustrations.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eLimited to 525 copies signed by the Author; tall 4to; black \u0026amp; white plates and illustrations by Flint, page headings printed in red, first capital of each paragraph in blue; publisher's half morocco over white cloth with silhouette decoration, original slip-case, near-fine. \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"FLINT, Sir William Russell.","offers":[{"title":"Default Title","offer_id":45547085758769,"sku":"95536","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/95536_b9643ebb-325b-4945-85ed-d1fd88c7e38f.jpg?v=1789881216"},{"product_id":"elizabeth-moncrieff-farm-animal-portraits-1996-104563","title":"Farm Animal Portraits.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e4to (285 x 250 mm); Foreword by the Duchess of Devonshire, numerous illustrations, mostly in colour; publisher's blue cloth, illustrated dust-jacket and endpapers, minor toning to spine, otherwise a fine copy.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"MONCRIEFF, Elizabeth [with] JOSEPH, Stephen and Iona.","offers":[{"title":"Default Title","offer_id":45547265917233,"sku":"104563","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/104563_f50a45b2-b78e-4291-96d7-5c32a83fec94.jpg?v=1790187006"},{"product_id":"109305","title":"The Landseer Gallery","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eA handsome copy of this retrospective of Edwin Landseer's (1802-1873) popular works, with an introductory biography of the painter, and textual descriptions accompanying each plate. By the time of his election to the Royal Academy in 1831 Landseer had 'established an enviable reputation as the foremost animal painter of the day', with a particular following amongst the English landed gentry, numbering the dukes of Atholl, Beaufort, Bedford, Devonshire, Gordon, Northumberland, and Wellington among his patrons (ODNB).\u003cbr\u003e\u003cbr\u003eWith provenance for the earls of Portsmouth, likely the 6th earl Newton Wallop, styled Viscount Lymington until his accession in 1891.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eFolio (38 x 28.5 cm); armorial bookplate to front pastedown, ownership inscripton to front free endpaper in pen 'Lord Lymington', woodcut device to title, woodcut initials and headpieces, 22 full-page engraved plates after Sir Edwin Landseer; tooled and gilt red morocco in an Arts \u0026amp; Craft design, all edges gilt, minor wear to spine ends and corners, foxing throughout mostly affecting margins, title and the occasional leaf of text more heavily affected, endpapers with dampstaining; 16, [44]pp.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[LANDSEER, Edwin Henry].","offers":[{"title":"Default Title","offer_id":45547658838321,"sku":"109305","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/109305_f97ad3f6-c65c-4b04-91e0-6dbb3ee8edf8.jpg?v=1790182558"},{"product_id":"claude-lorrain-liber-veritatis-1777-1819-122739","title":"Liber veritatis.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eA \"landmark in the history of reproduction of Master drawings\"\u003cstrong\u003e \u003c\/strong\u003e(Abbey) - a fine example of the first complete edition, in a magnificent binding.\u003cbr\u003e\u003cbr\u003e\"This capital work... contains 300 reproductions of works by Claude Lorrain, pastoral, mythological, and biblical subjects, and was called Liber Veritatis for the purpose of identifying Claude's genuine work from forgeries, or from drawings wrongly attributed to the master. They are all printed in a warm bistre colour to aid the resemblance. They were first produced in outline only, but owing to the enormous demand Boydell caused Earlom to retouch and refresh the plates five or six times. \u003cbr\u003e\u003cbr\u003eThis is the best and final state, embodying the important drawings from the great English collections of the period.\" (Abbey).\u003cbr\u003e\u003cbr\u003eClaude's\u003cem\u003e Liber veritatis\u003c\/em\u003e was a bound volume in which he drew copies of his own paintings and recorded details of commissions from about 1635. Although there are omissions -- particularly in the early years -- the\u003cem\u003e liber veritati\u003c\/em\u003es is a record of a major artist's oeuvre without parallel until the 20th century, and one which served in Claude's own lifetime both as a safeguard against forgeries and as a visual resource. The volume of drawings was eventually acquired by the Dukes of Devonshire, and Boydell's \u003cem\u003eLiber veritatis \u003c\/em\u003ereproduces both these drawings and examples of Claude's works from the great English collections of the period, including those of Richard Payne Knight, Alderman Hibbert, the Earl Spencer, Charles Lambert, Joseph Farrington, George Gosling, and Edmund Turnor. The accompanying text not only translates and transcribes Claude's annotations on the versos of the drawings, but also gives the names of the contemporary owners of the pictures, and details of engravings of the pictures. The purpose of the work was to establish a corpus of works known to be by the artist, in order to facilitate the detection of forgeries and the correct identification of genuine drawings, and, as Abbey states, the result was 'a real catalogue raisonne'.\u003cbr\u003e\u003cbr\u003eWith aristocratic provenance: Cyril Flower, first Baron Battersea (1843-1907), was a Liberal politician and property developer. He was also a great collector and patron of the arts, including James McNeill Whistler, and was involved with the Pre-Raphaelite set. Lord Battersea married Constance, daughter of Sir Anthony de Rothschild, 1st Baronet, in 1877.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eFirst complete edition. Three volumes, folio (44 x 30 cm), mezzotint frontispiece portraits of Claude Lorrain and Richard Earlom (volume I), without the portrait of Boydell (called for in Abbey but not always present), 300 etched mezzotint and aquatint plates by Earlom after Claude printed in bistre and black; plate 6 vol iii with small piece of blank corner defective, light scattered foxing to plates (mainly marginal), fine nineteenth century brown morocco gilt extra by Birdsall \u0026amp; Son, gilt panelled covers with wide gilt borders, gilt panelled spine in six compartments, gilt lettered direct in second and fourth, others richly gilt, broad gilt inner dentelles, top edges gilt, a fine set.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eBrunet III, 1169; Cohen-De Ricci col.242; Lewine p.325; Lowndes p.1398; Abbey Life 200.","brand":"CLAUDE LORRAIN [i.e. Claude GELEE].","offers":[{"title":"Default Title","offer_id":56911795454327,"sku":"122739","price":7500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/122739_e1947f19-7b34-4fff-8291-a87509ff6016.jpg?v=1790186010"},{"product_id":"john-ruskin-selections-from-the-writings-116748","title":"Selections from the Writings of John Ruskin.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThe selections include extracts from \u003cem\u003eModern Painters, The Seven Lamps of Architecture, The Stones of Venice, Lectures of Architecture and Painting, The Two Paths, The Harbours of England, The political Economy of Art, Two or Three Pamphlets.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eLater printing; 8vo (193 x 135mm); marbled endpapers, frontispiece of the author, title, spotting to prelims; quarter bound in red morocco, marbled boards, lettering in gilt to spine, raised bands decorated in gilt, marbled fore-edges, mild shelf wear otherwise very good; [viii], 440pp.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"RUSKIN, John.","offers":[{"title":"Default Title","offer_id":57064407925111,"sku":"116748","price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/116748_f6d2befb-1e22-4b98-9126-13b2ebd00194.jpg?v=1790189913"},{"product_id":"haldane-macfall-whistler-butterfly-wasp-104169","title":"Whistler.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThe first title in Foulis' Spirit of the Age series, a neat and attractive volume.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eNumber 22 of 100 copies signed by the author; narrow 8vo (c. 200 x 110 mm); printed on Japanese vellum, partly unopened, portrait frontispiece, plates, 6pp. advertisements, bookplate to front pastedown; publisher's vellum, gilt to upper cover, top edge gilt, others uncut, slight splaying but overall very good.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"MACFALL, Haldane.","offers":[{"title":"Default Title","offer_id":57080702239095,"sku":"104169","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/104169_97792c2f-fbed-4418-874c-00aff6f2f243.jpg?v=1790188067"}],"url":"https:\/\/shapero.com\/en-us\/collections\/fine-art.oembed","provider":"Shapero Rare Books","version":"1.0","type":"link"}