{"title":"Traditional Book Arts: Tazhib, Tasweer \u0026 Calligraphy","description":"\u003cp\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eIllumination, miniature painting and calligraphy from Persia and the wider Islamic world, selected by Near East \u0026amp; Islamic specialist Roxana Kashani.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/Tazhib_Tasweer_Calligraphy.pdf?v=1792599133\" title=\"Traditional Book Arts Catalogue\" rel=\"noopener\" target=\"_blank\"\u003eCatalogue PDF\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/shapero.com\/blogs\/news\/traditional-book-arts-private-view\" title=\"Private View for Traditional Books Arts\" rel=\"noopener\" target=\"_blank\"\u003eExhibition and Private View\u003c\/a\u003e\u003c\/p\u003e","products":[{"product_id":"safavid-album-prince-maiden-105399","title":"Prince and Maiden seated with armed attendants in waiting,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eAn attractive and decorative album leaf with a miniature painting from the early Safavid period with Turkic influences shown in the faces and robes of the figures depicted.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle leaf from a Safavid album, illuminated miniature on paper, miniature 128 x 90 mm (total leaf 280 x 175 mm); image depicting a young Prince in discourse with a female figure, two attendants flanking either side of the image in attendance, image mounted onto card framed with gilt drawings of birds and spiralling vines, reverse mounted with blank paper; some light discolouration and fading, a little rubbed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[MINIATURE PAINTING].","offers":[{"title":"Default Title","offer_id":45957838962993,"sku":"105399","price":3000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/105399_6d57e5b5-d7c6-4027-9d36-7fcd76b9e01e.jpg?v=1791752387"},{"product_id":"timurid-manuscript-illustration-shirin-farhad-105400","title":"Shirin and Farhad at Mount Bistun,","description":"\u003ch4 class=\"srb-faux-head\"\u003etimurid manuscript illustration\u003c\/h4\u003eAn early miniature painting from one of Nizami Ganjavi's most loved tragic romances in poetic form, \u003cem\u003eShirin o Farhad\u003c\/em\u003e, also known as \u003cem\u003eKhosrow o Shirin\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle leaf, illuminated manuscript on fine polished paper, single illuminated miniature depicting Shirin mounted on a horse with Farhad at Mount Bistun, 192 x 125 mm; from a manuscript with text in 4 columns of black nasta'liq, illustration in gouache and gold with traces of later additions to paint, lightly rubbed and chips to ink along old crease marks, overall bright and attractive condition; tipped-onto card and presented in modern card mount.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"NIZAMI GANJAVI.","offers":[{"title":"Default Title","offer_id":45957839913265,"sku":"105400","price":5000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/105400_b39aa751-e9c3-4bf0-90ca-11d572b0d4a6.jpg?v=1791752436"},{"product_id":"ahmed-karahisari-manuscript-qajar-180-110732","title":"The Names of Allah,","description":"\u003ch4 class=\"srb-faux-head\"\u003eafter ahmed karahisari\u003c\/h4\u003eAhmed Karahisari was one of the great Ottoman calligraphers of the sixteenth century, whose naskh style was reminiscent of the Abbasid master scribe Yaqut al-Musta'simi. He worked by royal appointment under the patronage of Sultan Suleyman I in his lifetime and his surviving manuscripts are housed in important Ottoman collections such as the Topkapi Palace and the Topkapi Museum. \u003cbr\u003e\u003cbr\u003eThe legacy of master calligraphers extends beyond the work produced during their lifetime but also in the inspiration that survives in their name for centuries after their death, the present manuscript is an homage to Karahisari and one such example. It is an early 19th-century Qajar replica of a 16th-century Ottoman manuscript by Karahisari and signed in their name. The binding and illumination indicate a place of production likely in Tabriz, where there is a stronger influence of Ottoman art than in the Eastern regions of the Persian empire.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle volume, illuminated manuscript on polished paper, in Arabic, containing the holy names of Allah, 8 leaves with two front free endpapers at each end, complete, 205 x 125mm; single \u0026amp; double columns, usually 5 lines elegant scribal naskh script in blue, text in panels often forming geometric shapes, illuminated unwan opening the text, marbled endpapers, a few early ownership seals to preliminary and penultimate leaves, a few small stains overall clean internal condition; contemporary lacquered boards with a red leather spine. 205 x 125mm (8 x 5 inches).\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[ISLAMIC MANUSCRIPT].","offers":[{"title":"Default Title","offer_id":47861124268337,"sku":"110732","price":5000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/110732_eca79fc6-6174-42b6-a9ad-c65f4d6b8cfa.jpg?v=1791895907"},{"product_id":"khwaju-kermani-divan-qajar-manuscript-112444","title":"Qazaliyaat,","description":"\u003ch4 class=\"srb-faux-head\"\u003eelegant shekasteh script\u003c\/h4\u003eKhwaju Kermani (d. 1349 AD) was a Persian Sufi mystic and poet. He is best known for \u003cem\u003eHomay o Homayoun\u003c\/em\u003e, the tale of the Persian Prince Homay who falls in love with the Chinese Princess Homayoun. The works of Kermani are still popular in Iran and the site of his tomb Shiraz remains a tourist destination for his many followers. \u003cbr\u003e\u003cbr\u003eThis manuscript was copied in Qajar Persia, possibly Shiraz, and is a lovely example of shekasteh script from the early nineteenth century.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle volume, illuminated manuscript on paper, in Farsi, 196 leaves, complete, 150 x 95 mm; double-column, 15 lines elegant black shekasteh script, text-blocks and columns ruled in gilt, opening of text with elaborately decorated polychrome head-piece, interlinear colouring of gold to final leaf, final gathering becoming loose, some slight finger soiling else clean and attractive condition; contemporary dark brown morocco, central cartouches cut-out and hand-painted, covers ruled in gilt, later paper label to spine, a little rubbed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"KHWAJU KERMANI.","offers":[{"title":"Default Title","offer_id":55909553799543,"sku":"112444","price":10000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/112444_1ba64eb3-d23c-45f1-abe3-b5b3a6f9dcba.jpg?v=1791544059"},{"product_id":"gazurghai-abudllah-ansari-abu-ahmad-112454","title":"Abdullah Ansari with Abu Ahmad,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eKamal al-Din Gazurghai (b. circa 1470) was a Persian dignitary and poet of the late 15th century and early 16th century. The \u003cem\u003eMajalis al-Ushaq\u003c\/em\u003e is a biographical account of over 70 notable Sufis, poets and members of the Turkic elite and is considered his best known work, completed around 1503 AD. The present painting portrays the meeting of 'Abdullah Ansari and Abu Ahmad' and is evidently from a fine early Safavid copy of the text, likely produced in Shiraz around 1570.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle dispersed folio from an illuminated manuscript, with one illuminated miniature, text in Farsi, miniature 155 x 122 mm, total leaf (trimmed) 190 x 150 mm; text-block to upper left-hand edge of painting containing 5 lines of elegant black nasta'liq, on gold-sprinkled paper, ruled in gilt, some light surface-soiling, a little faded with some small chips to paint, evidence of oxidisation from gilt frame to reverse; tipped-onto green decorated cloth, framed and glazed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"GAZURGHAI, Kamal al-Din.","offers":[{"title":"Default Title","offer_id":55909553865079,"sku":"112454","price":6000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/112454_21ba1b9b-35a6-4e78-9cc6-6cf704813790.jpg?v=1791752082"},{"product_id":"nizami-khamsa-safavid-manuscript-br-114248","title":"Khamsa,","description":"\u003ch4 class=\"srb-faux-head\"\u003ecopied during the reign of Shah Abbas I\u003c\/h4\u003eThis manuscript consists of the five books of Nizami, arranged as follows: Makhzan al-Asrar (Treasure-chamber of Mysteries), Khosrow va Shirin, Layla va Majnun, Iskandar Nameh (The Book of Alexander) and Haft Peykar (Seven Portraits). There are two colophons present, the first at the end of Iskandar Nameh provides a date of the 1st Ramadan 1008 (17th March 1600) and is signed Ghayam al-Din, while the second is found at the end of the Haft Peykar with a completion date of the 12th Dhu'l Qu'da 1008 (3rd September 1600) and is signed by the same scribe. These variations give us an insight into the time it would take a professional scribe to complete a manuscript of this scale (6 months for one of the five books alone). \u003cbr\u003e\u003cbr\u003eThe illustrations in this manuscript are bright and attractive but evidently in a much later hand than the body of the text. It is likely that there were spaces left for miniatures when the text was copied but these were never completed by a contemporary workshop and thus finished centuries later - likely in Iran. The illustrations present depict these scenes: (1) Shirin is shown Khosrow's portrait and falls in love; (2) The meeting of Khosrow and Shirin; (3) The suicide of Farhad; (4) Layla at School; (5) Layla and Majnun; (6) Iskandar comforts the dying Dara; (7) Iskandar meets the Wise Men; (8) Bahram Wins the Crown; (9) Monarch Parading a captured prisoner (image not obviously related to adjoining leaves).\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle volume, illuminated manuscript on paper, in Farsi, 228 leaves, 280 x 185 mm; 4 columns, 25 lines black nasta'liq, important sections in gold, 5 illuminated head-pieces decorated in polychrome text-blocks ruled in gilt and polychrome, catch-words, 9 illustrations in the text executed in a 20th-century hand, first and final pages remargined, a few smudges in the text, a few early seal impressions to opening of sections and preliminary and penultimate leaves, including one belonging to 'Abd al-Baqi ibn Muhsin'; later papier-mâché boards, boards repaired and sections along creases repaired on both boards, extremities rubbed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"NIZAMI, Jamal al-Din.","offers":[{"title":"Default Title","offer_id":55909554848119,"sku":"114248","price":12500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/114248_1cd82dc7-17ba-4faf-8f37-3ec29054d9e7.jpg?v=1791752306"},{"product_id":"kashmir-mirah-nameh-mir-haydar-117000","title":"A composite text containing excerpts from the Miraj Nameh,","description":"\u003ch4 class=\"srb-faux-head\"\u003eillustrating tales of The Prophet and imams\u003c\/h4\u003eThis is a very attractively illuminated manuscript containing verses and excerpts from the \u003cem\u003eMiraj Nameh\u003c\/em\u003e (by Mir Haydar) along with other texts relaying Islamic stories about the Prophet and other Imams, possibly including the \u003cem\u003eKhavaran Nameh\u003c\/em\u003e. There are many sections of the text relating to Imam Ali (AS), a notable theme drawn from the \u003cem\u003eKhavaran Name\u003c\/em\u003e by Ibn Hossam Khosefi, which is an epic account of the life of the commander of the faithful Imam Ali (AS), while also drawing on the themes from the \u003cem\u003eMiraj Nameh\u003c\/em\u003e which tells of the miraculous 'isra' and 'miraj' of the night journey of the Prophet Muhammad (PBUH). Both these texts are rare, and an adaptation of them in verse is equally unusual.\u003cbr\u003e\u003cbr\u003eThis manuscript is extensively decorated throughout with colourful banners between the columns of text, the opening marginal designs are exquisitely intricate, and there are also 20 illuminated miniatures in the text. These miniatures frequently depicting either Imams of the Prophet, including a heavenly scene, many including angels, battles and meetings of dignitaries. The style of the illustrations is very much in line with the Kashmiri school, and many of the images use silver as well as gold in their illumination.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle volume, fine illuminated manuscript on paper, in Arabic and Farsi, with 15 illuminated miniatures in the text, 283 leaves, incomplete at the end (likely lacking only one or two gatherings), 268 x 154mm; four columns, 22 lines black nasta'liq script, headings in red, opening two leaves with elegant and detailed polychrome gilt borders extending into the margins, one illuminated polychrome head-piece opening a second section of the text, 20 large miniatures in the text, these brightly coloured and usually depicting a scene portraying the Prophet or an Imam, contemporary tissue-guards, catch-words, a few small areas of light finger-soiling else very bright and attractive internal condition; contemporary lacquered boards, spine crudely repaired, extremities worn with loss to boards.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[MIR HAYDAR].","offers":[{"title":"Default Title","offer_id":55980872401271,"sku":"117000","price":27500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/117000_4a1de1ca-b01b-473f-980f-1cca2ad73464.jpg?v=1791543991"},{"product_id":"illuminates-leaves-calligraphy-album-ottoman-turkey-118360","title":"Three illuminated leaves from a fine Calligraphic Album,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThree attractive calligraphic panels, probably dispersed from a larger album of Ottoman calligraphic specimens compiled in the late seventeenth century. \u003cbr\u003e\u003cbr\u003eThough neither of these leaves have any scribal attribution, the calligraphy is of a good quality and evidently penned by a skilled hand showcasing both \u003cem\u003ethuluth \u003c\/em\u003eand \u003cem\u003enaskh\u003c\/em\u003e styles on each folio. Furthermore, the contemporary borders show delicately painted arabesques in gilt and the roundels marking the verses are of varying designs and styles.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThree single folios from a calligraphic album, illuminated manuscripts on paper, in Arabic, containing Hadiths of the Prophet, each page 235 x 165 mm; each leaf consisting of one line written in larger thuluth script in black ink, above a panel containing 4 lines of text written in smaller naskh script on a pink ground, this panel flanked by gold-sprinkled panels, outer borders with bold stylised foliate motifs outlined in gold on a buff ground, reverse with green paper backing, edges in dark brown, light surface rubbing, a few smudges; all floated in modern cream card mounts.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[CALLIGRAPHY].","offers":[{"title":"Default Title","offer_id":56993413595511,"sku":"118360","price":2500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/118360_f3edab72-d83e-47ff-9fb4-717d97eb30c8.jpg?v=1791542579"},{"product_id":"miniature-nastaliq-composite-panel-108953","title":"A Composite Panel,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eAn unusual triptych composition, formed of two early calligraphic panels to the right, placed above one small illustration of a youth (horizontally placed), one miniature painting of Layla visiting Majnun in the wilderness from c. 1820, and then a printed reproduction of verses in nasta'liq to the left.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle large board, composite panel comprising two sections of nasta'liq calligraphy and an illuminated miniature, total 330 x 200mm; opaque pigments on paper heightened with gilt, bordered with calligraphic panels in nasta'liq, the Fatiha to the left attributed on reverse to Mir Imad, and a couplet by Ahmad al-Husayni to the right, laid on gold sprinkled ground, bright and attractive condition.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[PERSIAN MINIATURE PAINTING]. [CALLIGRAPHY].","offers":[{"title":"Default Title","offer_id":56993413988727,"sku":"108953","price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/108953.jpg?v=1791896190"},{"product_id":"quran-ottoman-zihni-119980","title":"Attractive Ottoman Qur'an,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eA very attractive Qur'an copied in a measured hand by Abdullah Zihni, and housed in a fine contemporary panelled binding, from Ottoman Turkey in the mid-19th century.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle volume, illuminated manuscript on paper, in Arabic, complete, additional 3pp. du'a at the end of the text (possibly added later), 157 x 150mm; single column, 15 lines black naskh, some vocalisation and markings in red, surah headings in while against gilt banners, verses marked with gilt roundels, opening two leaves of text framed within elaborate gilt and polychrome decorations extending out of the text-block, leaves ruled in gilt throughout, catch-words, some light finger-soiling and browning to outer edges of leaves, a few smudges to ink sometimes affecting text; contemporary leather over boards with flap, central medallions and corner-pieces in gilt, ruled in gilt, part of flap lacking, overall good condition.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[QUR'AN].","offers":[{"title":"Default Title","offer_id":57010186715511,"sku":"119980","price":17500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/119980_fb45116b-7749-4270-b673-43c959c6e456.jpg?v=1791546742"},{"product_id":"jazuli-dalail-sunni-prayerbook-1800-123398","title":"Dala'il al-Khayrat.","description":"\u003ch4 class=\"srb-faux-head\"\u003edelicately illuminated prayerbook\u003c\/h4\u003eThis is a popular collection of Sunni Muslim devotional prayers for the Prophet Muhammad, compiled by Sufi leader and Islamic scholar Muhammad ibn Suleyman al-Jazuli (d. 1465). The prayers are usually divided into seven sections to facilitate the reading of one section a day over the course of a week, and often include the one hundred names of Allah as well as illustrations of the holy sites of Mecca and Medina (both present in this copy). \u003cbr\u003e\u003cbr\u003eAl-Jazuli was born in the Sous area of Morocco and compiled this \u003cem\u003eDala'il al-Khayrat\u003c\/em\u003e, his best known work, in Fez after spending almost forty years travelling to Mecca, Medina and Jerusalem. He is one of the Seven Muslim Saints of Marrakech, and is buried in a mausoleum in the city. \u003cbr\u003e\u003cbr\u003eThis copy of the \u003cem\u003eDala'il al-Khayrat\u003c\/em\u003e includes an introduction to the text in Ottoman Turkish and then opens with the names of Allah before the main body of text commences, followed by the names of The Prophet Muhammad (PBUH) which are very delicately displayed within geometric cartouches featuring the blessing \"Sallallahu Alaihi Wasallam\u003cem\u003e\"\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003ein miniature around the names, reinforcing the sacred nature of the text. \u003cbr\u003e\u003cbr\u003eThe colophon of this manuscript is penned in tawqi' script and reads: 'Kataba-hu al-Haqīr al-faqīr al-mutaraf... bi-Kātib-zād al-Kushani' indicating that the manuscript was copied by the son of the famous scribe al-Kushani. Unfortunately no date is ascribed, however the style of decoration and manuscript production are in keeping with manuscripts from the Ottoman Levant in the late 18th and early 19th centuries.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle volume, illuminated manuscript on fibrous polished laid paper, in Arabic, complete, 137 by 110 mm; single column, 11 lines black naskh, two full-page illustrations of Mecca and Medina, 4 illuminated polychrome headings and many decorated banners in the text, some sections of gilt illumination with intricate pointillé details, catch-words throughout, internally very clean and crisp condition; contemporary Ottoman gilt and tooled morocco with flap, covers ruled and hand-painted in gold with lattice pattern, edges lightly rubbed, overall a very handsome volume.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"AL-JAZULI, Muhammad ibn Suleyman.","offers":[{"title":"Default Title","offer_id":57249022050679,"sku":"123398","price":15000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/123398_54d0949e-9fa5-48bf-b642-3eaca0276b63.jpg?v=1791542916"},{"product_id":"quran-qajar-manuscript-120834","title":"A Fine Illuminated Qur'an.","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThis is a charming and beautifully illuminated pocket-sized Qajar Qur'an. \u003cbr\u003e\u003cbr\u003eLikely produced during the reign of Fath'Ali Shah Qajar, this Qur'an has illuminated double-page openings preceding the text, which have remained blank, and which would have likely been kept for the inclusion of a fihrist and dedication but never completed. Despite the lack of scribal attribution, the hand is a steady and competent example of small-scale naskh: a style of calligraphy executed in Qur'ans that are small in size.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle volume, illuminated manuscript on paper, in Arabic, complete, 218 leaves, 143 x 90mm; single volume, 17 lines delicate black naskh, surahs in red thuluth, verses marked with gilt dots, catch-words, opening and closing double-page openings with gilt polychrome head-pieces and borders, double-page of gilt \u0026amp; white checkered patterned table and additional double-page opening of gilt medallion carpet-pages preceding the first text-page (possibly to include a fihrist and dedication to the manuscript that were never completed), text-leaves ruled in gilt and blue, important divisions of the noted in the margins in red and sometimes black, a few small closed nicks and tears to margins, some light finger-soiling and rubbing in places; housed in contemporary lacquered boards, covers with decorative floral displayed framed within gilt decorated borders, corners rubbed and worn, spine skillfully repaired.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[QUR'AN].","offers":[{"title":"Default Title","offer_id":57285439586679,"sku":"120834","price":10000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/120834_833b0636-0ee2-41da-b3cc-710bc27d3ea9.jpg?v=1791546745"},{"product_id":"miniature-quran-qajar-persia-1815-105550","title":"A Fine Miniature Qur'an,","description":"\u003ch4 class=\"srb-faux-head\"\u003eroyal scribe from the court of Fath'Ali Shah Qajar\u003c\/h4\u003eAn exquisite miniature Qur'an form the early Qajar period. \u003cbr\u003e\u003cbr\u003eThe copyist Abdullah Ibn Ashoub al-Ranani was a royal scribe in the Court of Fath 'Ali Shah Qajar (r.1797-1834). Al-Ranani was renowned for his fine naskh script which is exemplified here in a delicate miniature format, which is unusual for this scribe whose other traced Qur'ans have been notably larger in scale. \u003cbr\u003e\u003cbr\u003eThis Qur'an was produced to the highest possible specification of the period with no expense spared; every single page of the text is illuminated with interlinear colouring of gold, the script is delicate and legible despite its miniature format, and the binding is exemplary: it was undoubtedly commissioned for a member of the Qajar royal family.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle volume, illuminated manuscript on polished paper, in Arabic, complete, 191 leaves plus 3 endpapers (2 front \u0026amp; 1 rear), 98 x 60mm; 21 lines fine \u0026amp; refined naskh script copied in miniature format, in black, 2 opening leaves of prayers copied in central lobed panels, in red, plus an additional set at the end of the volume, opening two facing pages of the Qur'an with exquisitely fine gilt polychrome decorations to borders, interlinear colouring of gold to every leaf of text, catch-words throughout, very clean and crisp condition; housed in fine contemporary gilt lacquered boards, with decorative floral compositions to covers set against a red background and framed within a gold foliate border, a very fine manuscript.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[QUR'AN].","offers":[{"title":"Default Title","offer_id":57487256945015,"sku":"105550","price":30000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/105550_96176782-e97c-4c8b-8934-412be8c50a45.jpg?v=1791752275"},{"product_id":"sadi-shirazi-bustan-1650-125158","title":"Bustan.","description":"\u003ch4 class=\"srb-faux-head\"\u003efine safavid manuscript\u003c\/h4\u003eAbu-Muhammad Muslih al-Din bin Abdallah Shirazi, (1210-1291), better known as Sa'di Shirazi, was a major Persian poet and prose writer of the medieval period. He studied in Baghdad then returned to his native Shiraz in 1256. He is recognised for the quality of his writings and for the depth of his social and moral thoughts; the Bustan (Fruit Garden) being an ethical-didactic text composed entirely in Masnavi form (rhyming couplets). \u003cbr\u003e\u003cbr\u003eThe present manuscript is a beautifully presented Safavid example of the text, copied in a very elegant nasta'liq script and with each page splendidly presented with gold-speckled pink paper margins, showcasing the absolute splendour of Persian manuscript production of the mid-17th century.\u003cbr\u003e\u003cbr\u003eThe binding is likely slightly later, from the 18th century and of Shirazi production. the filigree details are in an excellent state of preservation and it is most comparable to Haldane's item 108 'style of Shiraz 17th\/18th century' (Haldane, \u003cem\u003eIslamic Bookbindings\u003c\/em\u003e, 1983, p.114).\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle volume, illuminated manuscript on polished paper with pink gold-speckled borders, complete, 165 leaves, 250 x 160 mm; double-column, 14 lines elegant scribal black nasta'liq, headings in gold and red, leaves ruled in gold and blue, light blue decorations between the columns often decorated with gilt spiralling vines, illuminated head-piece opening the text, every leaf with decorated pink paper margins speckled in gold, some occasional rubbing else very clean and attractive internal condition, early auction description loosely inserted; housed in eighteenth-century sheepskin over boards, edges ruled in blind, central decoupé motifs to boards with delicate gilt filigree detailing against a pale blue background, a little rubbed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"SA'DI SHIRAZI.","offers":[{"title":"Default Title","offer_id":57497427476855,"sku":"125158","price":40000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/125158_01_9faa1788-1e3c-4ca9-93a4-4b911bde7a6c.jpg?v=1791547337"},{"product_id":"anam-sharif-ottoman-1780-124405","title":"Anam'i Sharif,","description":"\u003ch4 class=\"srb-faux-head\"\u003eextensively illustrated prayerbook\u003c\/h4\u003eThe \u003cem\u003eAnam'i Sharif\u003c\/em\u003e is a Sunni prayerbook that derives it's name from the Surah An'Am, which is usually one of the first excerpts of the Qur'an to appear in the text. The prayerbook is known for including pictorial representations of Mecca and Medina, the 'Asma'ul Husna' (99 names of Allah) and 'Asma'an Nabi' (99 names of The Prophet PBUH), which are all present in this copy. The text is very comparable to the \u003cem\u003eDala'il al-Khayrat \u003c\/em\u003eby Imam al-Jazuli in many regards, however the\u003cem\u003e Anam'i Sharif\u003c\/em\u003e is more extensive than Jazuli's prayers because it also includes Hadiths of The Prophet (PBUH) along with pictorial illustrations of the relics of The Prophet (PBUH), including his hand- and footprints, staff and robes among other items. Hilyas of The Prophet and four Caliphs are also included as elaborate single-page calligraphic compositions, alongside Hilyas of Islamic teachings such as 'Hannan' and 'Mannan' among others.\u003cbr\u003e\u003cbr\u003eThe text in this copy includes an extensive collection of Qur'anic excerpts and Du'a including: Surah al-Fatihah; Surah al-Baraqah; Surah An'am; Surah Yas; Surah Ar-Rahman; Du'a Ar-Rahman; Du'a Il'Ullah (?); Surah An-Naba; Surah Ad-Duha; Surah Ash-Sharh; Surah At-Tin; Surah A-'Alaq; Surah Al-Qadr; Surah al-Bayyinah; Surah Az-Zalzalah; Surah-Al-'Adiyat; Surah al'-Asr; Surah al-Humazah; Surah al-Kawthar; Surah al-Kafirun; Suran An-Nasr; Surah al-Masad; Surah al-Ikhlas; Surah al-Falaq; Surah an-Nas; Du'a Khatam al-Qur'an; Ismaul Husna (99 names of Allah); Asma al-Nabi (99 names of The Prophet PBUH), among other Du'a and separately quoted Ayat from the Qur'an. \u003cbr\u003e\u003cbr\u003eIllustrations include: double-page aerial views of the holy sites of Mecca and Medina, the genealogical tree of the Prophet featuring the Asharat al-Mubashsharun, the family tree of Ahl al-Bayt, depictions of the Prophet's flags and the sword of 'Ali, the Seal of Prophethood (Muhr al-Nubuwwah), the Seals of Solomon and Ja'far al-Sadiq (preceded by commentary), the Rose of the Prophet Muhammad among others.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle volume, illuminated manuscript on paper, in Arabic, 142 x 95 mm; single column, 9 lines black naskh, some headings in red, headings in white against gilt banners, opening two leaves with text-blocks framed within elaborately decorated polychrome borders, gilt margins extending to full coverage of each of the opening leaves, many calligraphic hilyas and illustrations in the text including aerial views of Mecca and Medina, verses marked by gilt roundels, leaves ruled in gilt, catch-words, hinges weakened with some leaves becoming loose, some light age-toning and mottling to some leaves, occasional light finger-soiling; contemporary morocco boards with flap, covers painted in gilt, crudely rebacked in later cloth.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[PRAYERBOOK]","offers":[{"title":"Default Title","offer_id":57506302886263,"sku":"124405","price":22500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/124405_01_de9fb93a-1358-4027-aca4-60108012b0d4.jpg?v=1791537661"},{"product_id":"calligraphy-ottoman-barakallah-125256","title":"Barakallah (The Blessings of Allah),","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eLarge-format calligraphic exercise of 'Barakallah' (The Blessings of Allah), unsigned but dated to the year '329' Hijri (1911 AD), and likely produced in Ottoman Turkey.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle panel of Calligraphy, in Arabic, calligraphic panel 220 x 145mm, total size 385 x 525mm; large elegant black thuluth calligraphy of 'Barakallah' (The Blessings of Allah), with the date '329', ruled in gold \u0026amp; yellow, laid on to card with gold-speckled brown borders, some early repairs to panel of calligraphy.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[CALLIGRAPHY].","offers":[{"title":"Default Title","offer_id":57519720956279,"sku":"125256","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/125256_01_a46012ea-e291-45be-9c08-126974b2b215.jpg?v=1791539094"},{"product_id":"hafez-divan-shekasteh-qajar-125150","title":"Divan,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eA very attractive early Qajar example of the 'Divan' of Hafez Shirazi, a pillarstone of Persian literature, with wonderful tazhib decorations to the opening two leaves of text. \u003cbr\u003e\u003cbr\u003eThis manuscript is notable for featuring fine shekasteh calligraphy and for the contemporary finely painted lacquer boards with unusually feature an image of a mother holding a child. There is a possibility that this volume might have been commissioned or gifted for a Qajar Princess or high-ranking Lady of nobility in the Qajar Courts, as the portrait-like representation of the female on a volume of poetry is otherwise unusual.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle volume, illuminated manuscript on paper, in Farsi, complete, 213 leaves, 155 x 100mm; double column, 14 lines elegant scribal shekasteh script in black, catch-words throughout, leaves ruled in gold, opening two leaves with elaborately painted polychrome borders featuring an opening unwan, all heightened in gilt, early auction description loosely inserted, some light finger-soiling else excellent internal condition; contemporary painted lacquer binding with central cartouche featuring the portrait of a mother holding a child (on both boards), rebacked preserving contemporary goatskin spine, a few small areas of damage to lower board and a small area of rubbing to upper board, overall very good condition.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"HAFEZ SHIRAZI.","offers":[{"title":"Default Title","offer_id":57519733637495,"sku":"125150","price":15000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/125150_01_46c4c62a-eb43-4e59-8acd-1df2c27ea117.jpg?v=1791541607"},{"product_id":"miniature-safavid-qajar-reza-abbasi-125263","title":"A teacher with his pupils, possibly a portrait of Shah Abbas I,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eA charming and beautifully drawn illustration in the style of Reza Abbasi (1565-1635), the leading Safavid miniaturist known for his distinctive ability to capture texture and movement in his drawings by combining ink lines with wash colours. This illustration is likely from the early Qajar period and demonstrated the lasting influence and legacy the great classical artists had over the future generations of artists and patrons alike.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle illuminated miniature painting with decorated borders, miniature 180 x 110mm (total leaf 260 x 140mm); illustration depicting a seated teacher with three pupils in attendance sitting by a running stream under some poplar trees, illustration heightened in gilt, mounted to cats with gilt decorations to borders, framed and glazed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[PERSIAN MINIATURE PAINTING].","offers":[{"title":"Default Title","offer_id":57519747957111,"sku":"125263","price":8000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/125263_01_214436e3-e3c7-4064-985d-18e0f28aefca.jpg?v=1791545136"},{"product_id":"mughal-calligraphy-nastaliq-rashid-daylami-124239","title":"Panel of Nasta'liq Calligraphy,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThis elegant nasta'liq panel is signed \"Abd' al-Rashid\", this is most probably Abd' al-Rashid Daylami (d. 1081 AH \/ 1670 AD). He was a celebrated Persian calligrapher that was born in Iran and the nephew of Mir 'Emad Qazvini. After the untimely assassination of ihs uncle in Iran, Abd' al-Rashid emigrated to India and held a high-ranking position at the court of Shah Jahan, where he served as tutor to the princes Dara Shikoh and Zeb-un-Nisa. He was also appointed Director of the Royal Library, and lived in Akbarabad during the reign of Aurangzeb I (1658–1707) until his death in 1670 (Bayani, 1345\/1966, Vol. II, p. 397).\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle panel of fine nasta'liq calligraphy, illuminated manuscript on paper, in Persian, 165 x 92 (total leaf 312 x 215 mm); single column, 4 lines large bold black nasta'liq calligraphy, with the signature of the scribe appearing between the second and third line, text set within clouds set against a gold background adorned with spiralling vines decorated with polychrome flowers, marbled paper border, laid onto larger card with hand-painted floral designs in gilt to outer margins, some light finger-soiling else good condition.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[CALLIGRAPHY].","offers":[{"title":"Default Title","offer_id":57519748972919,"sku":"124239","price":10000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/124239_01_24a40c0b-2010-46d4-aed7-c85057df3022.jpg?v=1791545270"},{"product_id":"mughal-drawing-album-br-112452","title":"Drawing of a Lion Hunting scene,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eAn attractive example of Mughal border designs, decorating a skilfully drawn hunting scene showing the imminent capture of a lion in hunt.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle leaf of album page with drawing, 285 x 165 mm; framed within multiple rulings and a wider floral border, delicate floral motif to borders heightened in gilt, reverse with a few shelf and reference numbers to reverse, some age-toning and chips to pigmentation of border decorations, leaf a little creased in places.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[INDIAN MINIATURE PAINTING].","offers":[{"title":"Default Title","offer_id":57519750283639,"sku":"112452","price":3000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/112452_01_1ef3dd5b-b813-4cee-ae72-19ee7257823e.jpg?v=1791896206"},{"product_id":"tazhib-double-page-border-qajar-125254","title":"Double-page tazhib border illumination,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eLovely survival of a magnificently illuminated border design from an unidentified Persian manuscript, in a large paper format and intricately painted to a very high quality.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eOne bifolium, illuminated manuscript on paper, in Persian, approx. 310 x 385mm; single column, 8 lines elegant and bold nasta'liq script, text page to reverse of one leaf with 15 lines, elaborately painted polychrome \u0026amp; gilt border designs extending outwards into the margins form the text-blocks, a few closed tears to edges of paper, some chips to extremities, in modern mount.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[TAZHIB DESIGN]","offers":[{"title":"Default Title","offer_id":57519754707319,"sku":"125254","price":5000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/125254_01_5e8e9576-4c7d-4c1d-b640-6153335bca10.jpg?v=1791896296"},{"product_id":"maryam-mirzaei-shamseh-124600","title":"Original Tazhib Illumination of the Shamseh","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle illuminated Qur'an shamseh illustration on paper, gouache, watercolour \u0026amp; ink, heightened in gold, 35 x 37cm; framed \u0026amp; glazed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[QUR'AN]. MIRZAEI, Maryam (artist)","offers":[{"title":"Default Title","offer_id":57560805507447,"sku":"124600","price":15000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/124600_01.jpg?v=1792068865"},{"product_id":"gol-o-morgh-album-pages-zand-124240","title":"Pair of Gol o' Morgh paintings,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eA pair of Persian album paintings of gol-o-bolbol (rose and nightingale). Opaque pigments, each leaf showing a fully open rose flanked by buds in various stages of bloom, on which a finely rendered nightingale is perched; set within typical Persian album borders, old labels to the versos.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eTwo loose album pages, illuminated miniatures on card, in ink and gouache, each painting c. 185 x 110 mm, total leaf 350 x 240 mm; delicately painted traditional bird and flower compositions, some later additions and over-painting, surface soiling and rubbing, early labels to reverse of both in French.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[MINIATURE PAINTING].","offers":[{"title":"Default Title","offer_id":57560805540215,"sku":"124240","price":6000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/124240_01.jpg?v=1792068866"},{"product_id":"maryam-mirzaei-2003-gol-o-morgh-124601","title":"Original Gol'o Morgh [Flower and Bird] illustration","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThis artwork is inspired by the traditional Persian Gol-o-Morgh (Flower \u0026amp; Bird) style of the Qajar period. In creating this piece, the artist sought to preserve and revive traditional Persian painting techniques while drawing inspiration from the elegance, craftsmanship, and aesthetic values of the Qajar period. The techniques included the use of candle soot to create delicate shading behind the flower and bird motifs, adding depth and atmosphere to the composition, also the application of a layer of oil to enhance the luminosity of the surface and to help preserve the artwork over time. \u003cbr\u003e\u003cbr\u003eFor this work, the artist was awarded First Prize in the Iranian Youth Art Competition and received an Honorary Diploma (Diploma of Merit).\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle illuminated painting on paper, tasheer, gouache, watercolour \u0026amp; Persian ink, heightened in gold, 16 x 18cm; framed \u0026amp; glazed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"MIRZAEI, Maryam (artist)","offers":[{"title":"Default Title","offer_id":57631293571447,"sku":"124601","price":18750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/124601_01.jpg?v=1792601655"},{"product_id":"maryam-mirzaei-youth-european-attire-2004-124603","title":"Youth in European Attire,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThis work is a hand-painted copy of a highly valuable and historically significant masterpiece of Iranian miniature art. Executed using gouache and traditional handmade Persian ink, it reflects the refined techniques, intricate details, and rich artistic heritage of classical Persian painting.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle illuminated painting on paper, gouache \u0026amp; handmade Persian ink, heightened in gold, 15 x 27cm; framed \u0026amp; glazed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"MIRZAEI, Maryam (artist)","offers":[{"title":"Default Title","offer_id":57631293604215,"sku":"124603","price":17500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/124603_01.jpg?v=1792601655"},{"product_id":"baysonghur-quran-style-surah-heading-125371","title":"Heading for Surah al-Waqi'ah (56)","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThe text includes the name of the Surah al-Waq'iyah and also details of the 99 Ayah (makkah) included in the surah. \u003cbr\u003e\u003cbr\u003eThe original Baysunghur Qur'an was a monumental manuscript measuring approximately 1770 x 1010mm, and would have consisted of about 800 folios. The Qur'an is named as such because of its attribution to Baysunghur (1397-1434 AD), grandson of Timur and son of Shah Rukh; there is contemporary evidence of his having written the monumental inscriptions on the Gowharshad Mosque attesting to this. However, a Qur'an of such immense size obviously necessitated enormous resources, time and calligraphic mastery and it seems unlikely therefore that Baysunghur would have been able to undertake a task of this magnitude himself. It is perhaps more likely that it was written under the patronage of Timur by 'Umar Aqta, a famous calligrapher of the time. Qadi Ahmad's 16th-century treatise on calligraphers mentions a huge Qur'an that was made in Samarqand in the time of Timur by this calligrapher (for more, see David James, \u003cem\u003eAfter Timur. Qur'ans of the 15th and 16th Centuries\u003c\/em\u003e, London, 1992, no.2, pp. 20-21). \u003cbr\u003e\u003cbr\u003eThe Baysunghur Qur'an is of such legendary scale and importance that replicating only one single line, half a millennia after the original, still resonates strongly with the original manuscript and is a testament to it's enduring legacy.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle large panel of paper containing one surah heading, illuminated manuscript on paper, in Arabic, 190 x 94mm (visible); single monumental line of thuluth calligraphy copied in gold and outlined in black, set against scrolling tendril bearing swaying near serrated leaves, against a field thinly hatched in red, in modern pink mount, framed and glazed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"[CALLIGRAPHY]. [QUR'AN].","offers":[{"title":"Default Title","offer_id":57631293702519,"sku":"125371","price":3750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/125371_01.jpg?v=1792601663"},{"product_id":"maryam-mirzaei-baysonghur-2017-124606","title":"Human Heart Is Bigger Than the Entire Universe","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThis work is based on a Timurid illumination from the Baysunghur period, which the artist carefully copied using traditional Persian painting techniques. While preserving the original composition and decorative structure, the artist added their own calligraphic text in the central medallion: \u003cbr\u003e\u003cbr\u003e'The human soul is greater than the whole universe, and this is the secret of its solitude.'\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle illuminated painting on paper, gouache, watercolour, 23 ct. shell gold \u0026amp; Persian ink, heightened in gold, 15 x 22 cm; framed \u0026amp; glazed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"MIRZAEI, Maryam (artist)","offers":[{"title":"Default Title","offer_id":57631293800823,"sku":"124606","price":30000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/124606_01.jpg?v=1792601666"},{"product_id":"maryam-mirzaei-girl-isfahan-2002-124605","title":"Girl of Isfahan,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThis work is a faithful and detailed copy of one of the well-known masterpieces of classical Persian miniature painting. It was executed using traditional techniques, with particular attention to the original composition, colour harmony and delicate details. The work reflects the artist's study and practice of the techniques employed by the masters of Persian miniature art.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle illuminated painting on paper, gouache, watercolour \u0026amp; Persian ink, heightened in gold, 13 x 23cm; framed \u0026amp; glazed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"MIRZAEI, Maryam (artist)","offers":[{"title":"Default Title","offer_id":57631293833591,"sku":"124605","price":17500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/124605_01.jpg?v=1792601671"},{"product_id":"maryam-mirzaei-persian-miniature-2015-124604","title":"Inspired by an Old Persian Miniature","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThis work is based on an old Persian miniature and has been recreated using traditional Persian painting techniques. The decorative border and illumination were designed and executed by the artist in the style of the original historical period, combining faithful reproduction with contemporary artistic interpretation\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle illuminated painting on paper, gouache, watercolour, 23 ct. shell gold \u0026amp; Persian ink, heightened in gold, 11 x 21cm; framed \u0026amp; glazed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"MIRZAEI, Maryam (artist)","offers":[{"title":"Default Title","offer_id":57631293866359,"sku":"124604","price":17500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/124604_01.jpg?v=1792601673"},{"product_id":"maryam-mirzaei-rostam-2003-br-124602","title":"The Battle of Rostam","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003eThis work is a meticulously hand-painted facsimile copy of a page from an old Shahnameh manuscript depicting the Battle of Rostam, executed using traditional Persian illumination and painting techniques.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle illuminated painting on paper, gouache, watercolour \u0026amp; Persian ink, heightened in gold, 34 x 47cm; framed \u0026amp; glazed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"MIRZAEI, Maryam (artist)","offers":[{"title":"Default Title","offer_id":57631293899127,"sku":"124602","price":35000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/124602_01.jpg?v=1792601673"},{"product_id":"morteza-salehi-calligraphy-125486","title":"Line of nasta'liq calligraphy,","description":"\u003ch4 class=\"srb-faux-head\"\u003e\u003c\/h4\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSingle sheet, decorated manuscript on toned paper, in Persian, text panel c. 120 x 33 mm, total leaf 215 x 435 mm; single line of nasta'liq calligraphy, in sepia, set in a cloud against gilt decorations of spiralling floral vines, framed within multiple decorated rulings and borders, in modern card mount, framed and glazed.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e","brand":"SALEHI, Morteza (calligrapher)","offers":[{"title":"Default Title","offer_id":57631293931895,"sku":"125486","price":3250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/files\/125486_01.jpg?v=1792601675"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/4694\/1233\/collections\/Screenshot_2026-10-21_113421.png?v=1792676081","url":"https:\/\/shapero.com\/en-us\/collections\/traditional-book-arts.oembed","provider":"Shapero Rare Books","version":"1.0","type":"link"}