WARHOL

Screenprint in colours, 1984, on Arches Aquarelle paper, signed and numbered from the edition of 70, 82 x 111.5 cm. (32¼ x 44 in.)

Offset lithograph, circa 1954, on wove paper, with the Estate of Andy Warhol and the Warhol Foundation ink stamps on the reverse, 49.1 x 34.2 cm. This work was a test proof which was kept by The Warhol Estate and comes directly from the Estate.

Screenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp on the reverse, from the edition of 250 (there were also 26 artist's proofs lettered A-Z), printed by Salvatore Silkscreen Co., Inc., New York, published by Factory Additions, New York, 88.9 x 58.4 cm. (35 x 23 in.), 100 x 69.5 x 4 cm. framed

Screenprint with diamond dust, 1980, on Arches Aquarelle (Cold Pressed) paper, signed and numbered in pencil, verso, from the edition of 60 (there were also 10 artist's proofs), printed by Rupert Jason Smith, New York, published by Andy Warhol, New York, 102 x 151 cm. (40 1/4 x 59 1/2 in.)

Screenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp, verso, from the edition of 250 (there were also 26 artist's proofs lettered A-Z), printed by Salvatore Silkscreen Co., Inc., New York, published by Factory Additions, New York, 88.9 x 58.4 cm. (35 x 23 in.)

Screenprint in colours, 1968, on wove paper, signed in ball-point pen and numbered with a rubber stamp, verso, from the edition of 250 (there were also 26 artist's proofs lettered A-Z), printed by Salvatore Silkscreen Co., Inc., New York, published by Factory Additions, New York, 88.9 x 58.4 cm. (35 x 23 in.)

Screenprint in colours, 1986, on Lenox Museum Board, signed in pencil, numbered from the edition of 250 (there were also 50 artist's proofs), printed by Rupert Jason Smith, New York, published by Gaultney, Klineman Art, Inc., New York, with their ink stamp and the artist's copyright ink stamp, verso, 91.4 x 91.4 cm. (36 x 36 in.)

Screenprint in colours, 1975, on textured watercolour Arches paper, signed by the artist in pencil on the reverse, numbered from the edition of 250 (there were also 50 artist's proofs in roman numerals), published by Mazzota Editore, Milan, 95.2 x 64.8 cm. (37½ x 25½ in.), 107 x 77 x 4 cm. framed