Chromogenic print, 1976, signed with the artist's initials 'DH' and numbered from the edition of 25, 20 x 25 cm. (8 x 10 in.)

Acrylic on canvas, 1979, 96.5 x 20.3 cm. (38 x 8 in.)

Exhibited:Bernard Jacobson Gallery, London, Gallery Mixed Show, 1 April - 2 May 2009.Acrylic on canvas, 47.6 x 59 cm. (18 3/4 x 24 1/4 in.)

Exhibited:Group Show, Summer Exhibition. July- August 2007. Bernard Jacobson Gallery, LondonIn 2004 Larry Poons decided that the orientation of th...

Acrylic on canvas, 1982, 87.6 x 49.3 cm. (34 ½ x 19 3/8 in.)

Acrylic on canvas, 1982, 124 x 36.3 cm. (48 5/8 x 14 ¼ in.)

Acrylic on canvas, 1984, 34.4 x 23.5 cm. (13 ½ x 9 ¼ in.)

Exhibited:Bernard Jacobson Gallery, London, Larry Poons: New Paintings 12 September - 10 October 2007.Acrylic and mixed media on canvas, 1989, 25....

The subject of Savarin dates to 1960, the year Jasper Johns made a life-size painted bronzed sculpture based on a Savarin coffee can that he used ...

"I'm actually trying to make things that are accessible and enjoyable to others," Shrigley has said. Like a compulsive doodler with an infectiousl...

The title is from a song of the 1960s by The Kinks. The image is from a fashion photograph Hamilton found in a dustbin and kept for future use. It...

Signed by the artist. One of the original wood engravings designed by Eric Gill The Harem displays every aspect of the striking yet graceful indivi...

Lauded as the greatest sculptor of his generation Sir Anthony Caro (1924-2013) worked with Henry Moore at the outset of his career, and was known ...

Over the course of his career in painting, printmaking, and etching, Antoni Tàpies has created his own lexicon of symbols and marks to help commun...

Over the course of his career in painting, printmaking, and etching, Antoni Tàpies has created his own lexicon of symbols and marks to help commun...

Over the course of his career in painting, printmaking, and etching, Antoni Tàpies has created his own lexicon of symbols and marks to help commun...

Hammer and two nails on wood board, 1930, signed in pencil, from an unknown edition size, published by Edition VICE-Versand, Remscheid, Germany, o...

Dr. Blume left it at, 'It's an example of one of his ironic ideas—that we have to leave our fat cells behind. We have to be a little more intellig...

This is Tilson's preparatory Study for 'Decal 3'. Tilson has been a lifelong and dedicated printmaker, gaining a reputation as one of Britain's fo...

Earning his living as a billboard painter before becoming an artist, James Rosenquist applied similar techniques of grossly enlarged and fragmente...

Challenging the traditional edge of the canvas, Lichtenstein here starts with a line, follows it along the canvas and then brings it back to the s...

'This is me, both as artist and model in my studio. I wanted to make something in the tradition of the reclining nude. I'm hoping it will be popul...