Coventry's Estate paintings and prints, examples of which are owned by many major museums including the Tate Modern, look like homages to Kasimir ...

The series 'Paper Reliefs' is based on the earlier 'Polish Village Series' (1971-73) with the use of relief elements to create the geometric struc...

'Flotilla' takes its name from the nautical term for a military formation of boats or ships, though Frankenthaler's scene appears to feature only ...

Perhaps one of the most influential female Abstract Expressionists, Helen Frankenthaler made the colour staining process one of her signature tech...

Although widely known as a sculptor, the American artist Alexander Calder was also a prolific printmaker. This lithograph, spotlights Calder's Fut...

Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed w...

After his move to Paris, Picasso became inspired by the classical art filling the many museums of the city and set his sights on recreating scenes...

Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and publishe...

Although widely known as a sculptor, the American artist Alexander Calder was also a prolific printmaker. This lithograph, spotlights Calder's Fut...

Lithograph in colours, 1952, on Arches wove paper, signed in pencil, numbered from the edition of 200 (there were also 38 trial proofs), printed by...

At the end of the 19th century and the beginning of the 20th century fantastical tales of other worlds and eras began to grip the imaginations of ...

Thumbs up on the fourth plinth. Turner Prize-nominated artist David Shrigley unveiled 'Really Good' on 29th September, 2016 in Trafalgar Square, Lo...

'Wild Raspberries', circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol's signature blotted line technique. ...

© Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from th...