Hepworth frequently worked in the two dimensions of drawing in association with her sculpture. She made her first series of colour lithographs, using themes related to these sculpture drawings, for a series entitled 'Twelve Lithographs', just after her Retrospective at the Tate Gallery in 1968.

Lithograph printed in colours, 1969, signed in pencil and numbered from the edition of 60, on handmade Barcham Green paper, printed and published by the Curwen Studio, with their blind stamp, 81.6 x 58.7 cm. (32¼ x 23 in.)