[The Golden Calf].
Kniga i stsena, Berlin, 1931
Curiously, Bender's behaviour hardly fit the requirements of an emerging communist society: "In the new collective society Ostap is an arch-individualist. Uninterested in building socialism, he is in search of a fortune: the diamonds hidden in one of a set of twelve chairs in the first novel; in the money of a secret millionaire in the second. He roams over the vast geographical spaces of Soviet Russia, deploying ingenuous ways of relieving people of money" (Jones and Feuer Miller 1998). In the eyes of the Soviet authorities, Ilf and Petrov's satire was making light of old bourgeois traits and habits, but, with good reason, numerous émigré critics read the work as a statement about the absurdity of the Soviet Regime itself. Nevertheless, the writer duo was never subjected to repressions and, as Lesley Milne writes, "the Soviet literary establishment proved able to accommodate them as licensed jesters."
No copies in the trade.
Octavo (20 x 14.5 cm). [4], 5-200, [1] pp. Original printed wrappers with an attractive typographic design in green and yellow; rappers lightly dust-soiled; old bookstore label partly removed; small owner signature to title.
Not in Savine.
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