River of Ponds I
In the prints, the squared and double-squared formats of interlacing protectors are framed by white margins, creating an effect quite different from the overwhelming immediacy of the paintings. The regular margins create a psychological distancing, and in the prints these designs of the paintings are, in a sense, re-presented for our consideration.
Lithograph in colours, 1971, on special Arjomari paper, signed, dated and numbered an AP aside from the edition of 78, published by Gemini G.E.L., Los Angeles, 96.5 x 96.5 cm. (38 x 38 in.) Framed 109 x 109 cm. (43 x 43 in.)
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