Berlin, Klinkhardt & Biermann, 1930
Roh and Tschichold had previously collaborated on Foto-Auge (1929), the book issued to accompany the Film und Foto exhibition in Stuttgart. Sales of the two Fototek volumes were sluggish, and the financial difficulties that Klinkhardt & Biermann encountered due to the economic crisis led to the sale of the publishing house. In March 1932, Franz Roh wrote to the photographer Moi Ver that he still hoped to be able to include his work in a later volume of the Fototek series but that negotiations with the new owners were ongoing. The following March, he again wrote to Moi Ver, stating that he hoped to continue the series with another publisher, adding that he had asked Laszlo Moholy-Nagy to come on board as a co-editor. However, shortly after this, the Nazi Party came to power, and the political and cultural changes in Germany made it impossible to continue a series like Fototek.
First edition with the scarce wraparound band; 8vo (249 x 175 mm, 9¾ x 7 in); black-and-white photographs printed in relief halftone by F. Bruckmann AG, Munich, text in German, English, and French, design by Jan Tschichold; photo-illustrated wrappers printed in yellow and black, publisher's green printed wraparound band, minor wear, in a custom drop spine box by Julie Nadot, fine; 11, [60], [5]pp.
Regards à travers Le Livre 33; Fotografia Pública 586; Auer Collection p158; Autopsie II, pp332–43.
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