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Near East & Islamic



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  1. Single volume, decorated manuscript on western imported paper, from a mixed stock including the watermark of a crescent moon in a shield and the letters 'EIV', in Arabic, complete, 124 leaves, 255 by 180 mm; single column, 16 lines informal cursive script in black with headings and important words in red, catch-words throughout, numerous contemporary and later marginal inscriptions, some light staining (as often), some gatherings becoming loose; contemporary provincial binding of strips of leather over wooden boards with flap, worn with sections of leather missing.

  2. Illuminated manuscript on thick Shirazi paper, 6 books in one volume, in Farsi, 324 leaves (including a front and final free endpaper), 325 by 215 mm.; four columns, 21 lines elegant black nasta'liq with some headings and sections in red, six illuminated polychrome headings opening each of the books, each featuring bold colours and arabesque designs, text blocks ruled in red, turquoise and blue, catch-words throughout, some very light marginal water-staining, a few preliminary leaves skilfully re-margined, a few small repairs elsewhere, spine cracked with a few leaves and gatherings becoming loose, overall very bright and attractive volume; housed in eighteenth-century dark brown morocco over pasteboards, ruled in gilt with cut-out medallions to covers , decorated with gilt filigree detailing against a peach-coloured backdrop, rebacked, edges a little rubbed, preserved in leather-backed box contemporary to binding, lightly rubbed.

  3. Illuminated manuscript on paper, in Arabic, containing the first 7 aya of the first surah of the Qur'an (al-Fatihah 1:1 - 1:7), 490 by 380 mm.; single column, 5 lines large scribal nasta'liq diagonally inscribed, outlined in cloud shapes and set against an elaborately illuminated gold background decorated with intricately illustrated spiralling floral patterns with polychrome colour additions, lower right-hand corner containing the scribe's name and date of completion, panel framed within multiple polychrome and gilt rulings, including a banner formed of multiple gold cartouches in Safavid style of illumination; very clean and bright condition; leaf mounted to thick card.

  4. Illuminated manuscript on polished paper, in Farsi, 73 leaves (plus a contemporary free endpaper at the end), complete, 182 by 110 mm.; double column, 17 lines elegant and refined black nasta'liq, vibrant and fine illuminated polychrome and gold heading opening the text, twenty-six miniature paintings in the text, depicting important scenes in the romance and painted with vivid colours in the contemporary Qajar style, leaves double ruled in red, blue and gold, tissue-guards loosely inserted throughout; some very faint spotting to final few gatherings, overall very bright and attractive condition; housed in contemporary leather-backed gilt lacquered boards depicting floral sprays ruled and framed within corner-pieces and a gilt border, contemporary paper label to spine inscribed with title of the work in Farsi, spine ends very lightly worn, extremities slightly rubbed, overall bright and attractive binding.

  5. Illuminated manuscript, in Arabic, on paper, 142 leaves (plus 5 contemporary leaves at the front and an additional 3 at the end of the volume) containing the forty poems preceded by two additional du'a and also including a contemporary fihrist at the end of the volume, 260 by 165 mm.; in two or four columns, 12 lines confident scribal and angular black naskh, most leaves with contemporary catch-words, contemporary foliation (corresponding to the fihrist) in red, 48 illuminated polychrome headings and decorated banners to open each of the sections, most of these heightened in gilt or silver, ruling throughout in gilt, some contemporary marginalia and corrections, preliminary and penultimate leaves with contemporary annotations and export stamps from Iran dated 1311 AS; some faint scattered stains, occasional chips or creases to outer edges of leaves, a few early paper repairs to outer edges (not affecting main body of text), overall very bright and attractive condition; housed in fine leather-backed lacquered boards, cut-out medallions with filigree details to covers deep-set with red and gold floral devices set against a striking black background accented by gilt corner pieces and a double-ruled border, outer corners and extremities slightly chipped with fractional loss to pigment, small tear to leather along spine.

  6. Illuminated manuscript on paper, in Farsi, part four only (of seven), 322 leaves (plus one later endleaf at the rear), 375 by 235 mm; single column, 21 lines black naskh, significant words and sentences in red, illuminated headpiece in polychrome and gold opening the text, leaves ruled in turquoise, red and gold, some of this ruling oxidised causing closed tears (some of these repaired), a few marginal repairs to preliminary and penultimate leaves, some scattered spots, overall presentable example; housed in contemporary brown morocco with stamped central medallions and corner-pieces of gilt leather inlay, rebacked, doublures of brown morocco with central medallions and corner-pieces decorated with gilt filigree and coloured backgrounds, a little worn.

  7. Illuminated manuscript formed of multiple calligraphic panels pasted to thick card, in Arabic and Farsi, total leaf 370 by 245 mm. (recto panel 285 by 195 mm. and verso 250 by 175 mm.); recto formed of a large central panel of fine nasta'liq formed of three couplets, this framed by two panels of large thuluth on either side and a further two panels above and below in an elegant reyhani script (verging on muhaqqaq), the outer corners are further decorated by four diagonally placed cartouches of nasta'liq (in two different hands), the verso is formed of a large central panel of fine nasta'liq formed of two rhyming couplets framed within two corner-pieces illustrated in fine Safavid-style gilt polychrome devices and copied on paper adorned in sections of gold leaf, framed within a multiple ruled border formed of 12 cartouches of nasta'liq (6 of these single lines on cream paper and the other 6 formed of 2 lines on white paper), both sides of album leaf elegantly arranged with gilt borders separating different panels and wider ruled borders of green and aubergine coloured paper, some light surface soiling and small chips to wider margins, overall very attractive condition.

  8. First edition; 4to; sixteen colour plates, a little spotting to original preliminary and terminal blanks, otherwise near-fine, later binding of half-red morocco over marbled boards, top edge gilt, spine a little faded, otherwise very handsome.

  9. Single volume, illuminated manuscript on polished paper, in Arabic, 198 leaves, complete, 105 by 65 mm; single column, 21 lines elegant black naskh per page, surah headings in ref thuluth against gilt banners throughout, opening two leaves with elaborately decorated gilt head-pieces and further gilt polychrome additions to the outer borders, fihrist at the front of the Qur'an and closing prayers at the end copied in blue and red within arabesque shapes set against decorative floral backgrounds, catch-words, a few small stains and light finger-soiling, overall very bright and attractive condition; contemporary lacquered boards, framed within gilt borders (later gilding), edges painted with floral motifs in gilt, rebacked, a handsome copy.

  10. Single volume, second volume only of the text, decorated manuscript in Arabic, complete in alternating quires of 8 and 12 leaves with a bifolium at the end to complete the text, 162 leaves (plus one contemporary and 3 later endleaves), 218 by 118 mm; single column of 11-12 lines in sepia naskh hand of the author al-Sharif al-Radi himself, title on recto of first leaf, colophon at end of text in same hand, on distinctively Persian dark-cream paper, most leaves with mould markings (of 7-8 laid reed lines per centimetre, and with no chain lines apparent), final free endpaper with numerous ownership inscriptions (pre-fourteenth century), occasional marginal commentary (also pre-fourteenth century), some early damp-staining and mottling to leaves to entirety of volume affecting upper and outer corners, a few repairs to preliminary leaves including a closed tear to first leaf, strip of modern paper pasted along length of pastedown (probably from modern description once pasted there and subsequently removed), later endpapers and doublures inserted; fourteenth-century leather boards, stamped in blind and ruled with geometric patterns, skilfully rebacked, resewn and edges repaired, very presentable and attractive condition.



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