In the prints, the squared and double-squared formats of interlacing protectors are framed by white margins, creating an effect quite different from the overwhelming immediacy of the paintings. The regular margins create a psychological distancing, and in the prints these designs of the paintings are, in a sense, re-presented for our consideration.
Lithograph and screenprint in colours, 1971, on Special Arjomari paper, signed, numbered and dated in pencil, one of 12 artist's proofs, aside from the standard edition of 58, published by Gemini G.E.L., Los Angeles, with their blindstamp and embossed copyright, 96.5 × 177.8 cm. (38 x 70 in.)
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