The Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia [with] Egypt and Nubia.
From Drawings made on the spot by David Roberts, R.A. With historical Descriptions by the Revd. George Croly. L.L.D. Lithographed by Louis Haghe.
Stock Code 107236
London, Moon, 1842-1849.
Original price
£50,000.00
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Original price
£50,000.00
Original price
£0.00
£50,000.00
£50,000.00
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£50,000.00
Current price
£50,000.00
A complete set of David Roberts' monumental work on the Holy Land and Egypt.
In the 1830s tourism in the Holy Land was increasing as the Pasha of Egypt, Muhammad Ali, consolidated his authority and promoted the research into and adoption of European culture. Travel books describing and illustrating the holy sites proliferated, and the scientific investigations of Edward Robinson were published in 1841. David Roberts (1796–1864), a scene-painter for the Pantheon Theatre in Edinburgh, who had established a reputation as a painter of topographical and architectural views, took advantage of the trend to organize a painting expedition to the Holy Land in 1838.
Arriving in Cairo in September 1838, he crossed the desert by way of Suez, Mount Sinai, and Petra, to Gaza and Jerusalem accompanied by tribes of Bedouins, friends and guides. He later visited the Dead Sea, the Lake of Tiberias, Lebanon, and the ruins of Balbec.
Returning to England in late 1839, he sought a publisher willing to produce a lavish edition of his views. Rejected by the Finden Brothers and by John Murray, he signed a contract with Francis Graham Moon in 1840. He and Moon shrewdly promoted their project by organizing a private viewing of Roberts' watercolors and drawings for Queen Victoria, the Archbishop of Canterbury and other influential people who immediately subscribed. They mounted public exhibition of some travel sketches in many British cities, and the favourable press notices attracted additional subscriptions, amounting to nearly double what the project required.
His work brought tremendous fame, and historians praised the accuracy of his rendering of architectural details and sculptures.
6 volumes bound in 4, large folio, 6 lithographed pictorial titles, 121 tinted lithographed plates, 120 half-page tinted lithographs by Louis Haghe after Roberts, lithographed portrait of the author by C. Baugniet on India paper, 2 engraved maps, contemporary green half morocco gilt, marbled sides, some foxing to plates, a very handsome set.
Abbey Travel 385 & 272; Blackmer 1432; Tooley 401-2.
In the 1830s tourism in the Holy Land was increasing as the Pasha of Egypt, Muhammad Ali, consolidated his authority and promoted the research into and adoption of European culture. Travel books describing and illustrating the holy sites proliferated, and the scientific investigations of Edward Robinson were published in 1841. David Roberts (1796–1864), a scene-painter for the Pantheon Theatre in Edinburgh, who had established a reputation as a painter of topographical and architectural views, took advantage of the trend to organize a painting expedition to the Holy Land in 1838.
Arriving in Cairo in September 1838, he crossed the desert by way of Suez, Mount Sinai, and Petra, to Gaza and Jerusalem accompanied by tribes of Bedouins, friends and guides. He later visited the Dead Sea, the Lake of Tiberias, Lebanon, and the ruins of Balbec.
Returning to England in late 1839, he sought a publisher willing to produce a lavish edition of his views. Rejected by the Finden Brothers and by John Murray, he signed a contract with Francis Graham Moon in 1840. He and Moon shrewdly promoted their project by organizing a private viewing of Roberts' watercolors and drawings for Queen Victoria, the Archbishop of Canterbury and other influential people who immediately subscribed. They mounted public exhibition of some travel sketches in many British cities, and the favourable press notices attracted additional subscriptions, amounting to nearly double what the project required.
His work brought tremendous fame, and historians praised the accuracy of his rendering of architectural details and sculptures.
6 volumes bound in 4, large folio, 6 lithographed pictorial titles, 121 tinted lithographed plates, 120 half-page tinted lithographs by Louis Haghe after Roberts, lithographed portrait of the author by C. Baugniet on India paper, 2 engraved maps, contemporary green half morocco gilt, marbled sides, some foxing to plates, a very handsome set.
Abbey Travel 385 & 272; Blackmer 1432; Tooley 401-2.
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